BradleyK
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I was extremely discouraged to hear that Kodak appears to be on its last legs financially and may not survive as a company.
It was bad enough when Kodak ditched Tech Pan - and it was a tragedy when Kodachrome fell by the wayside. Now Tri-X and the entire Kodak product line of film, chemicals and paper appears to be in peril of extinction, along with the entire Kodak company.
How Kodak could go from a worth of $30 billion to today's estimate of $200 million is simply incomprehensible. Not all of that can be blamed on the advent of digital, it would seem. In a world where new emulsions are hitting the market and large format sheet film can still be found in a reasonable variety of sizes and emulsions, how is it possible that Tri-X is in danger of disappearing??
I'm just wondering what others who shoot Tri-X are going to do for film if Tri-X goes extinct.
Not going to lose Kodak, there is too much money to be made from film,paper, etc sales.
I hope that you realize that the film division at EK is doing well. If you abandon a working enterprise, you only push them into problems.
[...]
If your actions help "kill" Kodak...
...they don't stuff T-max or Portra into cine cameras as far as I know. And definitely not rolls or sheet film.
Correct. But cine film is still a roll, is still an emulsion coated stock and not a CMOS or a CCD, so it uses the "same" plant. There was a link posted here to some conference that interviewed some directors who were very big on film, on film's "look" in their productions. Their use of any type of film produced by Kodak improves the chances for the continued availability of, e.g., 35mm Tri-X. I don't see improvements in CMOS technology helping me as much, and if so then only indirectly.
I'd rather know how small a coating plant can be that still produces just enough film to satisfy the demand for its output, and if a plant that size can be run profitably. If that can be satisfied then I say spin it off as Eastman Kodak and run it 24/7. Let the digital side be run through the same calculus and spin it off as Kodak-whatever Inc. Film gets dibs on all the yellow stuff.
As a monolithic block the Kodak board can move money around to pay bills here and there and hide debt there and here. That's useful so I don't think any real clarity will come out of the whole mess for some time yet.
s-a
By design I have been not substantively posting to this thread topic, as have many other longer time members after the last major Kodak eruption. No need to rehash my personal viewpoints on the subject that most of those members have already heard, and which have not changed.
That said, however, I can't let this pass without asking in good faith...
For years now we have heard that the film operations at Kodak are in dire - if not deathly - straits. Consumer film is almost extinct. Film distribution of motion pictures is almost extinct, or trending in that direction. Medical and scientific use of film is almost exinct.
We've also been told that this seismic (disruptive technology) shift figuratively occurred in near milliseconds. Film sales dropped a gazillion percent in only a few hours in 2008. No one could have forseen it. All film manufacturers suffered deeply because of it. And the condition never subsequently mitigated. It's now the new normal. It's never going to be like it was, or even anything remotely similar.
And one of the more prominent voices behind these viewpoints has been, well, you know who...
Now you're telling us that "...the film division at EK is doing well." And that if we "abandon a working enterprise, [we] only push them into problems."
Say what?
I'm now more than a little confused. We've heard for years that we remaining film consumers are pretty much inconsequential to Kodak's bottom line, and by extension to its (digital) future. So how can our actions one way or the other "help 'kill' Kodak..."
The understanding has been that consumer film users are mere gnats on Kodak's balance sheets. And that we gnats should just suck it up, quit tilting at windmills, and recognize that fact.
Can these seeingly opposing viewpoints on Kodak's current film condition possibly be reconciled?
Ken
I think that in retrospect, the film division was doing well despite all of the impediments, but OTOH, they were doing poorly because of digital.
Along this line (and the ship might have already sailed on this one) it might help film or EK in general if EK hired an ad firm (like Chiat Day?) that did campaigns for Apple or Volkswagen. Somebody really creative. Big Box retail in general and the likes of Walmart have for years driven home the idea that quality is irrelevant; price and convenience are the only criteria. Film is not only cool and neat and fun but, within its constructs, it is superlative to digital. If Kodak does not press the message here then it stands to lose those (re-)discovering film, cine and still. If film is profitable then EK needs those profits more than ever for elsewhere in the ledger.
I'm shutting up now on this topic.
s-a
The Kodak film division is still selling film and making a profit.
The jury's in. Film isn't selling because demand tanked.
Kodak's film problem is share price and bankruptcy. Spinning off film is a problem as there is a demand measure lacking. There are virtually no new film cameras manufactured or selling. Future demand for film is unknown, but with no new delivery system, it must be assumed that it's potential return is zero. So an investment or spin-off venture capital may not be forthcoming save in vulture form. Even profitable product lines can have the plug pulled early. That's the worry.
I absolutely must stop right here. My photo therapist is already going to be furious with me for posting about this. She successfully had me all the way down the list to that final step of resignation and acceptance regarding Kodak.
Now look what I've gone and done. Regressed. Fallen off the wagon. Caught with the needle in my arm.
She pleaded with me to stop trying to apply logic and common sense to the Kodak situation. She warned me that to continue to do so would only mean falling back into that endless hell of trying to reconcile statements like the above. And that meant more and more Kodak posts until my life was a living nightmare once again.
It no longer matters about Kodak, she said. It's OK. Let it go. Ilford is your friend, she told me over and over. Your very good friend. Go towards that light, Ken. Go...
I absolutely must stop right here..
Ken
Ken;
My therapist said not to answer you!
Now look what you have done!
PE
Do you have concrete figures?
I wonder how many Leicas, Voigtlanders (Zeiss Ikon), Fujis, Holgas and Dianas (not to mention all the rest) are selling, around the world, on a daily basis. I reckon there would be a very LARGE number of them moving.
Its looking like the industry quit the film business, not that users quit using film.They drove themselves to this point.Want to know why there are so many mini vans and SUVs blocking the highways? The car makers drove (no pun intended) the market as much if not more, than following it, through advertising.
This is like a car company that stopped production on a model because it was only selling 120,000 units a year with a gross revenue of over 2 billion because there was not enough money in it.
I hope that you realize that the film division at EK is doing well. If you abandon a working enterprise, you only push them into problems. So, do what you wish, but I hope you realize that you, and you alone are saying things that for the most part will end up furthering the woes at EK.
If your actions help "kill" Kodak, that just reduces the actors in the field by 1, and it will be a major player gone!
Good luck for the future.
PE
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