I am going to use Portra 160 and 400 (4x5 and 120) to shoot some dark church interiors which will require somewhat longer exposures. I don't mean long in terms of minutes, probably somewhere in the 1 second to 15 second range. Kodak just says to do tests to determine the exposure time but I am a little short on time. Does anyone have any experience with long exposures with Portra?
What about EI? I usually shoot colour negative a third of a stop lower (so 160 at 125 and 400 at 320) but I don't know about these dark and shadowy interiors. Should I open up a little more?
I must be missing something. I looked at Tech Pub E-4050 and this is what it said:
Adjustments for Long and Short Exposures
No filter correction or exposure compensation is required
for PORTRA 400 Film for exposures from 1⁄10,000 second
to 1 second. For critical applications with longer exposure
times, make tests under your conditions
I must be missing something. I looked at Tech Pub E-4050 and this is what it said:
Adjustments for Long and Short Exposures
No filter correction or exposure compensation is required
for PORTRA 400 Film for exposures from 1⁄10,000 second
to 1 second. For critical applications with longer exposure
times, make tests under your conditions
You're not missing anything but it's ok as I have shot practically all the Kodak films for extremely long exposures (> tens of minutes) without issues. The one below is an example of an interior shot on Kodak Portra 400 that at >30seconds.
Although reciprocity won't be a problem, adjusting for lighting temperatures will be.
You're not missing anything but it's ok as I have shot practically all the Kodak films for extremely long exposures (> tens of minutes) without issues. The one below is an example of an interior shot on Kodak Portra 400 that at >30seconds.
Although reciprocity won't be a problem, adjusting for lighting temperatures will be.
I've found at least when scanning my Portra (and even my Ektar) that when working with mixed lighting conditions, there is very little correction I need to do for color.
As for long exposures, the general principle with color negative films is: between 1 second and 30 seconds, add one stop. Over 30 seconds, add two. But some films are better and some are worse - when in doubt, Google is your friend. Search on the specific film and "reciprocity characteristics" and you'll get plenty of information. But the 1 for 30, two for more rule works quite well with the Portra family.
This is an *unverified* chart for Portra 400/160 I downloaded a couple of years back, but can't seem to find online anymore. Seems to be fairly accurate in my experience.
This is an *unverified* chart for Portra 400/160 I downloaded a couple of years back, but can't seem to find online anymore. Seems to be fairly accurate in my experience.