I recently obtained a well preserved Kodak Bantam 4.5. It was made some time in the 1940s I think. It requires 828 film, but I thought "How hard could it be to respool some film?" The shutter stuck when fired, so I took the @#!*% thing apart. First time I've tried that. It worked OK, but I think I may have messed up reassembling the lens, as the focus now seems very odd. Some things, especially close-up things appear in focus. Further away things not so much. I dunno. I shot two rolls. One was actual 828 film, Verichrome Pan from 1971. That seemed to work OK, but it wasn't a real test for what this 47mm Anastigmat Special could do.
So cut up some 120 Acros and taped over the film counter window. Cutting the film was a pain. Loading it was an even bigger pain. Loading the developing reel was an even BIGGER pain. Then it turned out most of the frames were overlapping because the film was not advancing properly (not surprising given no paper or film perforations). And there's some sort of light leak or something, though the bellows look good. Wide open (4.5!), the lens was extremely soft. Stopped down to f8, it seemed reasonable. Like I said, I may have messed the thing up when putting it back together. Anyway I must have spent a good 10-12 hours messing with this thing. Overall a frustrating experience. Previously I had fantasized about buying a Bantam Special, but now after dealing with the trouble of 828 film, to @#!*% with that idea! Here are a couple of shots. The second is 1971 Verichrome Pan, the first, respooled Acros.
Thanks for the responses. The film issue is the real obstacle. IF it took 35mm film, I would fix it. But honestly, it was such a pain, I'm not going to bother. The beauty of this thing is its size. It fits right in your breast pocket. About the size of an iPhone, but about twice as thick.
That's too bad. It wouldn't be too difficult to trim backing paper (and put frame numbers on it) as well as film - the backing paper could be reused several times at least. Spend an hour in the darkroom and come out with a few rolls to have fun with... these are neat little cameras.
I have a deal for you. I'll send it to you free if you want to play with it. Only condition is you make me a print from it.
Have yet to figure out why every bantam camera I have come across have both the window and the lever..
When using the original 828 film, the film advance mechanism works like a charm. That little lever catches the single perforation. The window is only used to tell you what frame you are on. A lot of things about this camera are really cool actually. The 828 roll is tiny so you could make a smaller camera, yet because no sprocket holes, the negative is bigger by maybe 20%!
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