Roger Cole
Allowing Ads
There may be more hobbyists than professionals but how many hobbyists spend like a professional? On a 1-day wedding day someone will shoot anything from 20-50 or even 60 rolls. At my current rate I think I'll shoot 150 rolls this year (don't know where that puts me as a hobbyist whether I'm using a lot or not). A professional photographer (at least the few that I personally know shooting film) will easily shoot 10 times that. So ten of me is one of them, what would be more cost effective and important for your business to build a lasting relationship?
Funnily enough, from the people I know in person (not online via forums and facebook etc), I and the wife are the only hobbyists shooting film, yet I know quite a few professionals who are shooting film exclusively or are hybrid digital/film.
My mistake, I took the vocal minority as you say to be the norm in APUG
But KA may not see a need for increased film sales it may be a cash cow they leave out in rain all night.
there was some kind of tour and the tour guide was telling him to dump that old film stuff he was using (he had his film camera taking photos, I mean...you're in the Kodak buildling!) and just go digital,
As for prices, remember that the Kodak film is made in the US and shipped to the UK or wherever required for sales. Ilford (Harman), is sold directly in Europe. So, duties and shipping charges apply on Kodak Alaris products in the UK and all of Europe. In the other direction the same things apply for Ilford.
In 2004/5 EK rationalised their production by closing all their lower volume film lines just retaining the high volume cine machine.That is the sad thing about it, they don't seem to care particularly about adjusting production towards smaller amounts in the future and making it viable long term. If Ilford can do it, if Ferrania can restart I just don't see why Kodak won't do it.
Ron was being nostalgic for good old days.Although a standrd shipping container crosses the Atlantic for under $2000, and that can carry a lot of film and paper.
The people I personally know are all over the place in the UK and Europe, Cornwall, Midlands, Portugal, Sweden, Austria and the rest but not in London. I think one of the higher profile people in London (though I think she recently moved to Ibiza) that shoot film are Polly Alexandre, BJP had a feature on her last year or so but I don't know her. If I was to look in online forums I participate that are related to film photography there are people all over Europe and tons in the US that are mostly wedding photographers.
Saying that only two weeks ago I bought a R3A from an italian living in Finsbury Park who is a hybrid pro shooter, shooting digital for wedding work and medium format for commercial stuff.
I think the best way to get a feel of things is to look up featured work on Instagram in film lab accounts as I mentioned in my previous post.
Well I'd forgotten about
Bollywood they shoot film in London occasionally
Jack Good still uses film - cine
Paul a college teacher who does fash in colour and portraits in mono. I can get a credit for Paul for pub work at need. Don't think he is a high volume user.
The art unis are large film users cause they enforce a film portfolio on students. Think the students sell their film cameras on to next years intake.
The majority film users around London are impossible/fuji...
Impossible advertise where I can see ads.
KA owns and controls the manufacturing facilities for their major products, just like Ilford/Harman.
EeeeekSchools that have the funds have good scanning equipment, which makes it easier to use film.
Harman coats and finishes film KA just collects the profit.
Eeeeek
Our art unis still have things called enlargers and new fangled things like auto print processors.
I learnt how to do POP when I was four.
Color is very subjective and for the life of me, I cannot enjoy Portra film at all. It is far too yellow (I think). Whatever it is, I've shot maybe 5 rolls of Kodak color film in the past 3 years and many hundreds of rolls of Fuji 400H, 160NS, and Reala (sadly now gone). In short, I think that Kodak is a player in the color negative market but hardly the "best".
Also realize part of its our Arizona light conditions...
Pardon? I fail to see how that has much of anything to do with what I said. A lot of people in art schools still do black and white and use traditional printing methods. However, there are those like me who like using color film, scanning it, and making inkjet prints. Some make books from images made with film, or zines, or other forms of media.
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