The Hasselblad back is made the same way flat with a ridge that mate's up with a channel on the film back, have not had problems with that but do get light leaks from the dark slide if the foam used to seal it gets to worn, it is easy to replace.
Years ago I made the mistake of buying a Kiev 88, the poorly made Ukranian imitation of a camera model that Hasselblad abandoned. It made three trips to the repair shop under warranty the first month, the last one-way for a refund.
But, being ever the optimist, when a friend said he had one to test for a friend, I said sure, I'll give it a shot, but with the strict understanding that if parts start falling off it is not my fault.
I am happy to report no parts fell off.
It is a heavy beast -- are Hassys this big? -- and while this was allegedly an upgraded one, and has a bayonet lens, it still felt a bit cheap. The advance is a bit mooshy, and while, yes, i was very careful to make sure and not even look hard at the shutter speed dial without advancing the film, it still got weird. At one point it seemed to resist shifting from 1/30th to a higher speed directly, so I gently turned it all the way around the other way. Then the camera started firing only the first curtain, not the second, and I had a moment of panic before it got itself sorted out and firing properly again.
At which point, having finished two rolls of film, i put it back in its bag and backed slowly away, hands raised.
The images are what I saw last time I tried this -- except for one taken at 1/1000 where the shutter capped halfway across, the image area is fine, the lens seems very sharp, but there are fogged strips between the frames, and with higher speed film (EDU 400) the camera evinced a light leak along the bottom edge between the film back and the camera body. The two parts made with a simple metal ridge/channel, no foam or other sealant to prevent leaks. If it were my camera i'd find some thin foam to line that channel with. What does Hassy do?
I was given a Kiev a couple of years ago with 3 lens, it was mess, light leaks, poor flocking, overlapping frames, the 120mm lens had a bad diaphragm would not stop down. I reflocked it, fixed a couple of the light leaks, but never found a way to fix the frame spacing issue. I have read that the Kiev's that were rebuilt are much better than those that came from the factory, the few rolls I shot were very sharp, but no better than my Kowa to make the aggravation worth it. I gave it way as well, maybe someone make the effort have it looked after.
As a precision engineer by training Kiev medium format SLR's always struck me as machines that were designed and built by people more used to manufacturing agricultural machinery than precision cameras because the quality of materials their suitability for the intended purpose and engineering tolerances they were built to were far outside the original Swedish design they were copying, the Hasselblad 1000 F.
Sorry that you had so many problems with the Kiev 88. On the positive side since all this time has gone by perhaps you have the money to buy a Hasselblad, a film back or two and one lens now.
The deal w/ stuff from the former Soviet Union is one should buy the cameras for the lenses. Then use the camera for a door stop, and get a decent body for the lenses, which are usually good to fantastic. Doesn't much matter which body
It sounds to me like you got one of the better examples. There was a firm in New York that got Soviet-era cameras and fixed them up so they worked pretty good but I don't know if they are still in business. The Soviet system had a lot of problems. Like a Polish shipyard worker said back in that era -- we pretend to work and the government pretends to pay us. And their monthly quota of output was primary, not quality. I had an East German Prakitsix 2 1/4 SLR that was wonderful until it died and nobody and I mean nobody said they could fix it. The lenses, though, were wonderful including the Olympic Sonnar 180mm f2.8. I had that one modified to use on my Nikon F and it was a killer at the time. Big and heavy but, boy, what images.
The deal w/ stuff from the former Soviet Union is one should buy the cameras for the lenses. Then use the camera for a door stop, and get a decent body for the lenses, which are usually good to fantastic. Doesn't much matter which body (although the ugly, later Feds SEEM to be occasionally OK).
.........it still felt a bit cheap....
Sorry that you find Hasselbladskis junk from a sample size of one.
From my own personal sample size of one,
But then I'm still trying to figure why they call it "The" Ukraine. Isn't it just a country called Ukraine? It's not The Canada, or The France, or whatever. So why The Ukraine?
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