I wonder how he makes such large negatives?A very interesting article of the way in which Keith Taylor prints tri color gum for Cy DeCosse. It's of course impossible to judge in the magazine, but from what I could tell, the work and printing was stunning, as we'd expect from Mr Taylor.
Great reading!
- Thomas
Do you know what he will be teaching?Sorry for the shameless plug, but Keith and I have talked and as long as the schedue works, he'll be teaching a workshop at next year's Photostock gathering.
I wonder how he makes such large negatives?
Don Bryant
Sorry for the shameless plug, but Keith and I have talked and as long as the schedue works, he'll be teaching a workshop at next year's Photostock gathering.
Yep, they are digital negatives. Separations, actually.
I got to see the entire body of work Keith had made for Cy DeCosse at what I think was the final show at the much missed John Stevenson Gallery in NYC. It was absolutely gorgeous!
Oh God, say anything but digital negatives. The august leaders of APUG will shoot you dead with their pulverizing ray gun for that kind of comment!!
Frankly I would move soon if possible. You and our family may be in grave danger.
Sandy
Sorry for the shameless plug, but Keith and I have talked and as long as the schedue works, he'll be teaching a workshop at next year's Photostock gathering.
I got to see the entire body of work Keith had made for Cy DeCosse at what I think was the final show at the much missed John Stevenson Gallery in NYC. It was absolutely gorgeous! The article in VC is a good one. Don, the digital negative step in the sequence used for the production of this work is described in the article. Yes, a digital negative is a part of a very hybrid process! Suck it up...it's the way it is.
We'll have to work that out. I'm honored he would give it the consideration. We're working on facilities for next year and that will have an influence as will Keith's ability to make it over. I am hoping. (wink, wink... nod, nod)Do you know what he will be teaching?
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