To my eyes the light from the Kaiser panel is perfectly even over the whole surface, whereas the cheap one certainly wasn't. The Kaiser also has a higher CRI, and I have noticed the difference (i.e. more accurate colours) when inverting colour negs especially. Also it is much larger, which helps. In summary, worth the money IMO.
How about using such a panel as a light table to sort slides prior to scanning with a "real scanner."There's a distinct difference between "5000/5200k" and alleged "daylight".
Daylight ( verour skysion) is full spectrum, tho varies time of day, season etc. The flat panels are very consistent but they deliver a chopped spectrum, Vs speedlights etc. I think they are weakest with skin tones. If I was dealing with fashion/portraiture I'd ditch to a strobe with modeling light (for alignment and to confirm focus).
How about using such a panel as a light table to sort slides prior to scanning with a "real scanner."
Phil Burton
Amusing. The fly in the ointment is Kodachromes.
Why amusing? Why is Kodachrome an issue?
Point well taken. However, my question was about using this LED panel as a light table just to sort and cull slides prior to duplication, not as a light source.Because it isn't as linear as ektachrome. It doesn't respond as perfectly to chopped spectrums. You can seem to have everything balanced but on second look you'll notice that something is odd. This is where strobe/speedlight or Macbeth or perhaps Normlicht or the sky above
has the edge.
The idea is to use the light table / copy stand / camera combination to digitise the film source material. Some have managed to get very high quality results from this process. I have a film scanner (up to 6x9cm) but am interested in quick proofing of roll film and large format negatives, alongside potential web uploads etc.
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