When you say West-System I assume you are considering using fiberglass cloth as well? If not try to add that to it, it will make a world of difference in not only how it will last, but how it will bind it all together. One of lowest weights will do and it will be easy to smooth it out. I'd actually use two layers, but that's me.
There is no contest between West System and any non-yachting related "epoxy" compounds. West System has been around for a few decades now, and has taken the ocean beating for just as long. Get it with dosing pumps, so you can make as little or as much as you need for a single batch, without even thinking of mixing ratio.Thanks for the videos. I started building a sink a couple of months ago and I have yet to apply the epoxy. I thought of using the same epoxy I used on my garage floor (Rust Oleum) and then apply their Premium Clear Coating for waterproofing per their recommendation. I think the West System epoxy (or similar) is a better option. Your sink looks great.
I've got a magnet drive pump on my archival print washer. Works great. Print washers use huge amounts of water.Being in Southern California, please consider putting any and all film and print washers on optional (valves) closed-loop systems with recirculating pumps to save on water. That is what I have done and I live at the headwaters of where a large portion of your water historically comes from.
The other thing I have done is put PVC pool / spa diverter valves on both of my sinks to reclaim some of the grey water that contains trace amounts of chemistry other than fixer for use in flushing, watering of trees and shrubs. Being on a septic system, fixer is strictly disposed of via evaporation then paid landfill disposal as a solid.
I believe that grass roots level advances in both effluent reduction and especially water consumption in darkroom work will become more and more critical as water scarcity becomes a more harsh reality.
Other than that, good luck in your build and have fun!
Best of luck with your build. I'm about to dive into a darkroom build myself. I have a darkroom in my current house but we're moving and I need to build a new one in the new house. Interestingly, your layout will be very similar to mine as I plan to build mine in a spare bathroom. I'm going to gut the entire bathroom so there won't be any dual-use issues. The physical dimensions of my room appear similar to your laundry room so I am curious how you solve some of the workflow issues that may come up. My dry end will be similar to yours over the washer/dryer and the wet side along the long wall. This left-to-right flow seems to work well in my current darkroom as I'm right handed.
There is no contest between West System and any non-yachting related "epoxy" compounds. West System has been around for a few decades now, and has taken the ocean beating for just as long. Get it with dosing pumps, so you can make as little or as much as you need for a single batch, without even thinking of mixing ratio.
Being in Southern California, please consider putting any and all film and print washers on optional (valves) closed-loop systems with recirculating pumps to save on water. That is what I have done and I live at the headwaters of where a large portion of your water historically comes from.
The other thing I have done is put PVC pool / spa diverter valves on both of my sinks to reclaim some of the grey water that contains trace amounts of chemistry other than fixer for use in flushing, watering of trees and shrubs. Being on a septic system, fixer is strictly disposed of via evaporation then paid landfill disposal as a solid.
I believe that grass roots level advances in both effluent reduction and especially water consumption in darkroom work will become more and more critical as water scarcity becomes a more harsh reality.
Other than that, good luck in your build and have fun!
Set up ventilation to create negative pressure in the darkroom. Let dust get going on a trajectory towards outlet.Here is another update with videos. I had a chance this morning to upload a couple of videos that I've been putting together to talk about the blower I've chosen to use for the ventilation system. I've gone with the Dayton 1TDU2 which is 1202 CFM and has good reviews. I originally picked a much smaller blower (based on misunderstanding some data) and had to upgrade when I discovered the problem.
This video discuses my plan for how I'll set up the blower with ventilation cones to reduce the intake to 4-inch standard drying tube size, and then further to 2-inch and to sink for optimal suction. Reducing the intake also provides air flow restriction which helps to ensure that the blower motor doesn't free spin and burn out.
And this video is a step-by-step guide for how to wire the Dayton 1TDU2 blower to a power cord for 120 voltage (it's also possible to wire it for 220). I also show a moment where the blower surprised me and I almost lost some fingertips. Safety first!
I think you mean positive pressure (ie the darkroom is at a higher pressure than outside), so that any dust etc in the darkroom is forced out through the ventilation. Negative pressure will draw in air and dust from the outside.Set up ventilation to create negative pressure in the darkroom. Let dust get going on a trajectory towards outlet.
No, I meant negative. Positive accelerates dust movement around space, negative draws it out, it's a fundamental difference, not the same thing.I think you mean positive pressure (ie the darkroom is at a higher pressure than outside), so that any dust etc in the darkroom is forced out through the ventilation. Negative pressure will draw in air and dust from the outside.
Agree to disagree. As this article points out, both options have pluses and minuses. https://lensnotes.com/darkroom/ventilation/. Given some of the chemicals used in darkroom processing, I prefer that the ambient pressure removes this air and replaces it with fresh from outdoors.No, I meant negative. Positive accelerates dust movement around space, negative draws it out, it's a fundamental difference, not the same thing.
I'm not going to read an article on a principle I've been directly involved with. Negative pressure in a space creates completely different air flow pattern to one forced in by positive pressure. This is an exhaust fan drawing air out and inlet allowing air in (in larger spaces and higher fume creation both, supply and exhaust fan are usually needed). For typical small darkroom space, all is needed is variable intake filtered louver and an exhaust fan (preferably variable speed too). Both variables make it easy to make proper adjustments to get the right pattern.Agree to disagree. As this article points out, both options have pluses and minuses. https://lensnotes.com/darkroom/ventilation/. Given some of the chemicals used in darkroom processing, I prefer that the ambient pressure removes this air and replaces it with fresh from outdoors.
I have a portable sink and have used bottom epoxy paint for the sink. It works just fine and I just sand and repaint every few years...not complicated at all
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