jjstafford said:I take it you aren't really asking Jorge exclusively because you can use PM for that.
What's the difference? One is of pigs. The other of humans. I find it astounding that the difference is not clear.
Bob Carnie said:Jorge
A while back , I entered the critique gallery and saw an image of Pigs heads , about 15 of them , all happily smiling for the camera , I was immediately offended and stated so on the site. Jose , came back and basically justified this image with his images of an ongoing series of images some shot in a Mexican morge. I have to say that though disturbing *images of bodies being dissected* I was satisfied the Jose was not a one shot wonder and he was working on a series of work that involved a somewhat contraversional subject matter.
Here is my question to you, JPW went into a Mexican Morgue and took the body parts and arranged them into extremely abstact or visual forms* I am thinking of the two men kissing for example. ( I personally find this image in Bone House to be the most offensive) why I can't explain.
But when I look at Jose images I am disturbed as well , at about the same rate.
Jorge , I ask you , what is the difference between these two bodies of work as I find this assault of Sparky not warrented
I would not in either case JPW or Jose want my brother, sister, mother displayed . but I think attacking Sparky is not the answer but maybe the source of the imagery, he is reacting to it and you, I and others will feel totally different to this type of imagery.
I got confused with the Pig Head thread. Thanks for the redirection.atenlaugh said:[...]
2. No, both involve human corpses. Read the post again.
Wayne said:Hmm, 0 for 2. Yes, Sparky, I will take the bait as you feign ignorance of the question- I'm curious how would you feel about his ummm..body work... if he werent photographing it?
jjstafford said:I am not Sparky, but will close with a repeat of my assertion and a question
It is critical that the works were done by photography because of one of photography's few unique characteristics is that an object is in (usually) front of the camera. In this case the fact colloaborates with all the manipulations of the corpses the photographer made (or exploited) and this makes it self documenting. The picture points to the photographer and what he did.
Now consider the former inhabitants of these bodies. They are made to be worthless except as they serve the photographer's needs. Why are these corpses not as respected as others in history? Is possible that the photographer believes they lived or died without nobility and therefore they are mere objects? Are they objects of a cultural or racial separist's idea of 'art'? How do we know they aren't? How do we know they won't become exactly that by the promotion of the works for commercial ends which try to anonymize and neutralize uncomfortable realities.
Too thoughtfull?
Sparky said:So - I'll ask you again, Wayne.... what precisely would Witkin be doing if not photographing corpses? PRETENDING to photograph them? Please be honest with yourself in your response.
Thank you.
Sparky said:I can only answer you for myself (can you give us your first name so you feel more like a friend and so I don't have to keep calling you MR. Stafford?) -
A fair measure of humanity is found in the respect it shows the living by giving a certain reverence for people's life work and tolerance for their physical attributes, and the respect is further evinced by how they treat the body after life.Sparky said:At any rate, my own belief system forces me to answer this: that it is the height of human self-importance and human arrogance to think there is anything wrong with this act. [...]
Anyway - getting back to it. Yes, I personally think it is hubris. I think that we attribute qualities to corpses which they do not, in reality, posess. [...]
Sparky said:I do not believe that the human is any more sacrosanct in this regard than farm animals or ANY other living creature. I do not concern myself so much with the rights of the non-living. I am, however, EXTREMELY passionate about the rights of the LIVING. Including photographers who catch flack for not taking pictures of puppies and sunsets.
That is how I feel.
If Witkins wants to show what a disturbing place our world is, he can choose to do it in ways that most people truly identify with. His only crusade is to make lots of money.Sparky said:My GUESS as to what DRIVES Mr. Witkin is NOT personal perversity - but trying to show what a disturbing place our world is.
[...]
Alex Hawley said:Answer this one Sparky: Why can't Witkin do what he does using artificial human parts rather that real ones illegally obtained?
Well, when you go trying to defend him, then that assumes a repesentative role at the moment. Thanks for the honest answer.Sparky said:I don't know. perhaps he does. you'll have to ask him. you treat me as though I am some sort of representative of his. I think the effect would be the same. I think the way to do it is to use artificial parts and tell everyone they're real. Could even be what's going on. I really don't know.
jjstafford said:You may call me Mister Stafford.
A fair measure of humanity is found in the respect it shows the living by giving a certain reverence for people's life work and tolerance for their physical attributes, and the respect is further evinced by how they treat the body after life.
Those who enjoy the opposite of the social respect but do not practice defiling the living and dead have little to risk; they live as voyeurs. Those who practice, advertise, document and profit from the same are simply psychopaths by definition.
jjstafford said:If Witkins wants to show what a disturbing place our world is, he can choose to do it in ways that most people truly identify with. His only crusade is to make lots of money.
Wayne said:Once again you elaborately shuffle dance around a very, very simple question, and ask a question of your own. I'm not interested in why he might (hypthetically) play with body parts if not photographing them. It doesnt matter. There could be many reasons, none of them, including photographing them, being acceptable.
I have seen some (certainly not all) work by all the above photographers and while it may not be my cup of tea none of it is in the same class as JPW. Some people document the real horrors of life. JPW, in his corpse work, creates them, his photography IS THE EVENT!
But I think I understand why you defend his work now. You are somehow detaching the photographing of the event from the event itself. But he is not documenting, he is actively CAUSING, CREATING the thing. His horrific little horrors do not exist without him, and they involve the disrespectful abuse of human remains. Imagine a family member, or friend who stumbles across a photo of their loved one in a JPW photo. Do you not get it? Do you think that is somehow OK? It would be different if he were documenting what some other sicko had done with corpses, but he is the sicko. You somehow overlook that, and think he is just making a statement about it. No, HE IS IT!
BTW, it matters little to me whether he is engaged in some other, even "worse" behaviors. You seem to think I believe that he is, but that hasnt even crossed my mind. The reason for that is nothing else he could do would be worse than what he already does. He cant sink any lower in my mind.
LOL.....I thought this has been your position from the beguining....talk about the pot calling the kettle black. BTW, if you missed it, Alex asked you a question? One that is usually always ignored by JPW's groupies....Sparky said:whatever, wayne. you won't listen or consider - fine. I won't either.
Sparky said:Guess I thought you'd get really upset - I wanted to use it as a means of figuring out where the heck you were coming from. You seemed upset that the dude makes a few thousand for a print. Anyway - okay - test failed. I'll just shut up now. I'm not really ENJOYING the whole making enemies thing. That wasn't why I came to APUG in the first place.
Ed Sukach said:I would suggest that aesthetics and morality are intrinsically different subjects, Different, but not necessarily exclusive.
Wayne said:You're just very confused, and entirely inconsistant.
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