Graham, I know this sounds pretentious, but I formulated the original Kodak blix, date: 10/1966 and it was called Blix 1066 for several years internally. I sent the first formula transmission letter on it to manufacturing for use with Ektacolor paper T1970. So, I probably know more than anyone around about this particular chemistry.
My point is, if you or anyone needs help on bleaches, blixes or fixes, give me a shout. I'm here! I've also done extensive work with bleaches and fixes for film as well as blixes for papers, and so I feel that I can speak authoritatively on the subject.
I've also studied developer formulation effects on color paper, and find that all developers and papers do not interact well at all temps. This is a real problem, as EK and Fuji for example only run release tests at one temperature with one developer. I have found that off brands can vary considerably due to the differing salts that they use for economy purposes. EK and Fuji use 'authentic' chemistry that is cross checked between the companies to insure compatibility. Some of this chemistry is omitted due to cost considerations by second tier mfgrs. Be forewarned.
So, I feel it is a matter of years of experience rather than pretention. If I can help, I will. I'm here.
PE