I've processed the same stuff the "correct" way; in the Orwo 9165 process, which as far as I can see apart from a very minor change in the first developer, is exactly the same as the native Soviet process. Here's an example:
This was shot at EI16 in an Olympus 35RC. There is a duck swimming just to the right of the stern of the boat, and on the full-res image, it is very clear - the film appears to be much sharper than I expected.
As this was the first time ever that I had processed a reversal film, I didn't give nearly enough exposure in the fogging step, one potential reason for the strange colours. So I decided to process a roll as a negative in the Orwo 5168 process just to see what condition the colour dyes are in. The time in the colour developer was a total guess, but it didn't turn out too badly:
I didn't see a huge amount of fog in the base; it looks to all intents and purposes like an unmasked colour negative film. The film appears to be in very good condition given its age - I'm doing another reversal processing run shortly, and making sure I give enough fogging exposure.