Definitely; the shading is actually quite crude--the leaves lack dimension and you can see the brush strokes. They were clearly laid in afterward and were not part of the photographic image. What's really clever though is the abstract shapes in blue and magenta behind the model. If you look closely you'll see that there are patterns that repeat: these were likely laid down in layers with a stencil to make the edge shapes (like the hair, using a watercolor technique working from lightest values to darkest) first very pale blues, then darker blues, then magenta. The laurel leaves lack the transparency of the rest because they were painted on in opaque colors over the image of the hair, possibly with gouache or even with oil colors. The hard line between model and background was probably done with a frisket, and the drape over her shoulders, like the leaves appears to be wholly painted on and not part of the photographed image. This strikes me as a high-end job done with a bit of extra time and care.It looks like the laurel band maybe a different paint rather than water colour paint/
Ian
Edit: I'm suspicious of the specular reflections in her eyes too--I think they may have been added in post-production.
The eyes look almost Digital, but could easily have been done with a fine draughtsman's pen. They let the image down slightly as the sharpness contradicts the rest of the image.
Ian
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