By the time I got into medium format, there were no emulsions I wanted available in 220, so it's academic, but on some outings I would love to get 24 shots of 6x6 without having to reload -- if I could get FP4 or 400TX or Acros or HP5! But not all of the time, as I find 35mm, which is increasingly only available as 36 exposure, to be a bit long for my normal use. And as sfaber17 mentions, in a 6x9 like my Ercona II, at 8 shots per roll it feels as though every time I turn around it's time to reload.Is there any point for 220 nowadays? Most cameras can accept both 120 and 220 anyways.
Is there any point for 220 nowadays? Most cameras can accept both 120 and 220 anyways.
Sirius, if you are serious, I would be interested in the New York bridge. (Think of all the revenue I could generate.) - David Lyga
Yes, I do that occasionally. Its not economic in that I do obviously loose the middle frame, hence let's call it 219-film (=19 snaps in 6x7).If I was on some boat tour or the like, I'd rather have 16 shots than 8 shots on my 6x9. Has anyone made a 220 from 2 rolls of 120?
You do not understand what Cinestill is doing. They buy regular unmodified Eastman film and then CINESTILL removes the remjet coating. So no custom orders or anything else. Indeed companies like Kodak and others hate companies like Cinestill that remarket their films for non-approved use. Hate them. Why because when something goes wrong the original manufacturer gets the blame.
I don't know why no one understands, IT IS THE BOTTOM LINE. Manufacturers aren't ignorant. They have done the necessary profit calculations and decided they will not make any money selling 220 film.
So what film is 400D? I may have missed it, but Kodak Vision3 doesn't look like it is available in ISO 400. Is this the Vision3 250D that Cinestill is rating at ISO 400?
Well, to be honest, rather than reading dozens of pages, I'll just take your word for it.Vision3 is 250 in movie format (remjet coating, ecn-2 processing). The extra speed is from C41, not having remjet, etc. Just search for the cinestill 400d thread and you'll see dozens of pages of discussion on it.
Well, to be honest, rather than reading dozens of pages, I'll just take your word for it.
So what film is 400D? I may have missed it, but Kodak Vision3 doesn't look like it is available in ISO 400. Is this the Vision3 250D that Cinestill is rating at ISO 400?
So sometime in 2030?Ferrania will be able to make 220 when they are ready...
That's super interesting! I wonder what pricing would be from Cinestill- probably just double what they sell a regular 120 roll for LOL!Hello... 2022 called... Cinestill showed up...
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Cinestill adds campaign for 400D in 220
After great success with the previous 3 goals to release 400D in 35mm, 120 and 4x5 formats, Cinestill has added a stretch goal to make 400D in 220 form. At the time of writing this goal is at 81% with 7 days left to go. In order to support this goal one needs to buy one of the following...www.photrio.com
Never say never.
If ever...So sometime in 2030?
That's super interesting! I wonder what pricing would be from Cinestill- probably just double what they sell a regular 120 roll for LOL!
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