Is there anything similar to Velvia 50 in print film?

[Poisson Du Jour]

What!? You're "not good enough to shoot slide film."!? Bollocks. I'll bet you have a hidden talent for nailing "Vaudeville Velvia"!

Velvia is designed for diffuse illumination; it will give just awful results in bright point light. Best to buy a roll or two and shoot at both 50ISO and 40. It requires experience and discipline to expose well (to the point of exhibition-quality images bound for printing). Don't try it with people as skin will come out quite ruddy. Velvia 100 has overly-enriched reds and a sensitive white curve (blows easily). 100F is a fun emulsion excellent for sunrise and sunset images with better shadow control, but not as enriched as Velvia 50. Give them all a whirl.

 

[accozzaglia]

"They" are Bic Camera and Yodobashi Camera, the two main electronics/camera/film stores in Japan (here). I know it's C-41, but they claim they "have to" send it to Kodak. I've heard stories of people with better japanese language skills than mine managing to convince the odd guy at the counter to process them together with the rest of their color negs, but it seems to be rare & difficult (pro labs like Horiuchi are apparently more easily convinced, but they're also more expensive than big stores).

I doubt it has to do with the scans or prints as I never order either of these (I scan everything myself, their scanning service is expensive and relatively low-res). i wish I could develop myself, but it's not an option where I live currently. Maybe in the next apartment...

I'm not shocked by this. Any subroutine out of the ordinary can, I've found, throw staff for a loop. I'll never forget my visit to Tokyu Hands when I presented the writing pen specialist with one of my venerable Pilot BP-S ball-point pens that I've used for over 25 years. They are made in Japan by a Japanese company. The look on his face, though, was of abject confusion. Rather than just shaking his head indicating that they did not sell it, he looked at the pen, then at his display, puzzled, then around the display, then to another co-worker in the writing pads area, who also looked confused, and then he ambled back to me. It was as if I'd presented him with a steak knife or something completely of a different nature — like I had somehow short-circuited something. My travel partner, a former resident, explained the whole breaking-routine-causes-confusion response dilemma.

In short, the suggestion I might offer is this: circle "C-41" on both a roll of Fujicolor and the roll of Ektar and make a point to note they are one in the same. It might not work, but being as literal as that is nevertheless worth a try.