I think what he meant was that he is rich and therefore has no need or interest to buy lenses that were "cheaply" mass produced in Japanese/Chinese factories, as opposed to hand-crafted and -assembled German lenses. At least that´s what Mustafa is usually up to.
I shot a Contax for many years and I owned the 50mm f/1.7 lens. It was a little slower than the 1.4 but everyone said it was a little sharper.
You are really splitting hairs here. I had friends who shot Nikon. Back in the day I preferred the Zeiss lenses and felt they were a little more contrasty than the Nikkors. My friends preferred their Nikkors. I don't know. You really can't go wrong with either brand and unless you are going to test one against the other you won't know either. Of course lens samples may play a part in any testing. I do know that the camera stores use to play up Zeiss. They may have made more profit on them?
I do not have zeiss 50 1,4, but I have tried many nikkor and other brand 50mm lenses. My keeper is nikkor 50mm 1,4 SC.
Very sharp lens, it also has character. Built like a tank, the lens construction is based on old Taylor Hobson patent from 1932.
This patent was used by zeiss, leica and nikon.
So, sometimes the lenses from different continents have the same roots.
Soory, Mustafa.
I do not have zeiss 50 1,4, but I have tried many nikkor and other brand 50mm lenses. My keeper is nikkor 50mm 1,4 SC.
Very sharp lens, it also has character. Built like a tank, the lens construction is based on old Taylor Hobson patent from 1932.
This patent was used by zeiss, leica and nikon.
So, sometimes the lenses from different continents have the same roots.
Soory, Mustafa.
Most likely they are all made under the same roof, hence collectors tend not to pick stuff past WWII, except Zunow, Komura and few other boutique and pretty clever pieces.
The Taylor, Taylor & Hobson design is brilliant and most mfg. nuances are negligible with most B&W films.
Thanks all. Many useful comments. I think Michal summed it up rather well, and I'm probably just being snobby when I can't afford to be. I can't afford a CZ 50mm really, but I do own the 1.8D for Nikon. I thought the 1.4 might be superbly better, and then I thought the CZ would be better still. And whilst the answers suggest that for build quality that is true, it seems perhaps that image quality is not all that different. So I'll probably just stick with the 1.8D (I have many lovely shots with it so I have no issues with it at all) and instead maybe look at a few more Lee filters. I only have 3 grads and polarizer but am thinking of full size stoppers for really bright days. Money better spent there, perhaps.
I second this. The nikkor 50 1.8 is an exceptional lens, an absolute steal for the money. The only thing you'll gain with the zeiss is 3/4ths of a stop, not really enough to justify the huge price differential IMO.
Thanks all. Many useful comments. I think Michal summed it up rather well, and I'm probably just being snobby when I can't afford to be. I can't afford a CZ 50mm really, but I do own the 1.8D for Nikon. I thought the 1.4 might be superbly better, and then I thought the CZ would be better still. And whilst the answers suggest that for build quality that is true, it seems perhaps that image quality is not all that different. So I'll probably just stick with the 1.8D (I have many lovely shots with it so I have no issues with it at all) and instead maybe look at a few more Lee filters. I only have 3 grads and polarizer but am thinking of full size stoppers for really bright days. Money better spent there, perhaps.