. Where photography excels as an art form is not in self-conscious pictorialism, which is often more accomplished in other media - but in its representational authenticity...
We may be talking at cross purposes. I'm not proposing that photography or painting are "better art" than one another, I'm offering an opinion on their relative merits. Obviously a painter can capture the essence of something in a few strokes, in the same way that a short poem about an event will say more about its human consequences than a lengthy legal document of the same occurrence. However a painting that attempts to exhaustively represent an incident, whether domestic or military or whatever, will not be received as truth in the same way as a photograph. It evokes a different kind of emotion.A painter can paint a gesture in a few seconds and have a masterpiece. It's not artificial, it's art, and different from photography, which can also produce masterpiece gestures in a few seconds.
Possibly, but...We are going to disagree there.
I'm not crazy about pictorialism or the f64 "more is more" approach.I am working more and more as a pictorialist, moving away from the whole "f64" mentality of photography.
I agree that lens sharpness beyond that which is appropriate for the subject and viewing size is a dead end. Something doesn't become art because it's five feet wide and shows every pore. On the other hand few subjects except perhaps portraiture are improved because a lens renders softly or the background has perfect circles of confusion. Victorian pictorialism was an attempt to emulate painting, because it was thought something that happened in an instant and described so clearly couldn't possibly be artful. I disagree..I feel so may folks are trying to find the sharpest lenses (and the ability to get everything is sharp focus) at the expense of the rendering and the feel that can be expressed with a different approach.
It's art because art is in the eye of the viewer, not the maker. When someone hangs a photo likeness of the Mona Lisa painting, it's art to them.
On the other hand, when my club has photo contests, pictures of art are usually not allowed because it's copying someone else's art. There would have to be something really unique about the photo to be allowed to compete.
I have been enjoying this discussion and decided to consult a dictionary for the word "art". Of the many meanings the one that seemed to fit these threads "the conscious production or arrangement of sounds, forms, movements, or other elements in a manner that affects the sense of beauty; specifically, the production of the beautiful in a graphic or plastic medium." Actually I sculpt and do photography. I'm happy to say that some people find some of my "art" beautiful so I guess those pieces are considered art to them.
View attachment 221182
One of my sculptures. (it started out as a rock)
http://www.jeffreyglasser.com/
http://www.sculptureandphotography.com/
Interesting situation !
If the work (sculpture ) was not registered at the copyright office the sculptor might not have had a legal leg to stand on
if the work was in public view, even being transported it was in public view, and a photographer is free to photograph things in public view
whether it is a person place or thing, unless there are legal laws that state otherwise ( like federal installations post 9-11 )
and if the work was interpreted ( which all photography tends to be ) the image created was transformative so it might not be copyright infringement.
It makes me wonder if andy warhol could have been sued successfully for painting his cambell soup can.
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Again, Vaughn I agree, the power lies within the person practicing the art making enterprise.
I may end up there, but for now I'm finding renewed creative juices flowing using fast B&W film with 1950's and older optics. I have a feeling I'm landing somewhere between the two schools, leaning more towards the pictorial side of things.On the other hand few subjects except perhaps portraiture are improved because a lens renders softly or the background has perfect circles of confusion. Victorian pictorialism was an attempt to emulate painting, because it was thought something that happened in an instant and described so clearly couldn't possibly be artful. I disagree..
Looking at Andreas Feininger's pictures, I always felt like he was doing more than just copying someone else's art. Especially when he was photographing "Nature's Art".......Regards!Architecture is a favorite subject of mine - I was greatly influenced by the photos of New York City made by Andreas Feininger. I have always loved Art Deco buildings, so I suppose photographing them is really just trying to capture the original art. Still, one can choose to emphasize certain angles or aspects and I think that has some merit in and of itself.
In the past (1950s/60s) some photographers only recognized "ugly" pictures as "art", saying that there is no "beauty" in art, it is all in the mind. I think Ansel Adams proved this to be a mistaken concept with his pictures which clearly show "beauty". While "art" does not consist of only beautiful pictures, neither does it only consist of ugly pictures just like life/nature is not all one or the other. Not all of us only see "ugly" everywhere we look just as not all see "beauty everywhere we look.........Regards!I don't know that beauty has to be a part of something to make it art. Including beauty in the definition is a particular philosophy with regards to art, and very much a 19th century construction. I would change the word beauty to aesthetic response: something can be extremely ugly (in the sense of unpleasant, graphic, violent, or depressing) and still very much be a piece of art. Really, art is something that is intentionally more than the sum of its parts, through human intervention.
Interesting situation !
If the work (sculpture ) was not registered at the copyright office the sculptor might not have had a legal leg to stand on
if the work was in public view, even being transported it was in public view, and a photographer is free to photograph things in public view
whether it is a person place or thing, unless there are legal laws that state otherwise ( like federal installations post 9-11 )
and if the work was interpreted ( which all photography tends to be ) the image created was transformative so it might not be copyright infringement.
It makes me wonder if andy warhol could have been sued successfully for painting his cambell soup can.
=
Again, Vaughn I agree, the power lies within the person practicing the art making enterprise.
Remember the Marlboro man billboard that was blatantly a copy of an advertising photo?
The photographer didn't sue because he had already been paid for it. I'm surprised the advertising agency or client didn't bother.
I think the term I'm looking for is "derivative art"
I think it was copyrighted and she had the photo listed for sale.
I wasn't trying to suggest that art is NOT beauty, rather that we should not define art as being only a dependency of beauty. Art is a manufactured (in the sense of something created by man, not something made in a factory) object that expresses an idea or emotion - therefore something greater than the sum of its parts.In the past (1950s/60s) some photographers only recognized "ugly" pictures as "art", saying that there is no "beauty" in art, it is all in the mind. I think Ansel Adams proved this to be a mistaken concept with his pictures which clearly show "beauty". While "art" does not consist of only beautiful pictures, neither does it only consist of ugly pictures just like life/nature is not all one or the other. Not all of us only see "ugly" everywhere we look just as not all see "beauty everywhere we look.........Regards!
I think it was copyrighted and she had the photo listed for sale.
There's a long history of painters copying other painters works. In some cases, the copy becomes as famous or even more famous and valuable than the original. ...
The image was removed from the competition when the gallery was served notice by the lawyer - at the same time the photographer was also served notice. Copyrights do matter when you are selling work that contains copyrighted work.The copyright does not matter, it was in a public place and photographed in the public. There is no expectation of privacy on the street. The artist should have covered the work with a wooden box.
That is an approach with I feel fine!We are going to disagree there. I am working more and more as a pictorialist, moving away from the whole "f64" mentality of photography. I feel so may folks are trying to find the sharpest lenses (and the ability to get everything is sharp focus) at the expense of the rendering and the feel that can be expressed with a different approach.
The image was removed from the competition when the gallery was served notice by the lawyer - at the same time the photographer was also served notice. Copyrights do matter when you are selling work that contains copyrighted work.
Completely agree ! It's like quoting someone in an article and not giving them credit.
Unfortunately it is all too easy in a day and age where folks grab and go ...
It would have been nice if she contacted the sculptor and it ended up being a collaboration.
... Like Man Ray's Dust Breeding ( Duchamp's Large Glass ).
Also my impression - it is absolute OK !^^^^If it's OK with her it's OK too.. Other photographers have used unusual framing successfully too.
......quoting someone in his thesis to optain his doctoral degree without giving credit is a specialty of some Top politician in Germany btw....
with regards
PS : But like your example with the gallery - it often has serious consequences !
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