If you don't mind looking amongst older cameras, there are plenty of 6x6 or 6x9 folders with decent-to-excellent lenses and which will slip into a jacket pocket. For landscape I like a wide-angle 6x9 camera; I've hacked myself a pocketable one that can take a pancake lens in the F=60 to 65mm region, but you should be able to find one of the Fuji 'Texas Leica' models more easily.
Ah, I wasn't clear enough in what I wrote. I did not mean to suggest that the 'Texas Leica' are pocketable, I just mentioned them as a candidate for 6x9 wide angle photography, not linked to the 'pocketability' of the previous text.Those "Texas Leicas" are NOT pocketable. The lens on it is quite substantial, and does not collapse. On the earliest models (the Fujica GL 690 series) they did have interchangeable lenses, so you could put the camera body in one pocket and the lens in another (provided they were large and durable pockets).
Medium format for travel photography is a wonderful thought. Set aside the cost because med format equipment apart from later models of Hasselblad is quite affordable. What cannot be compromised with travel photography is weight.
My ideal would be a GF670 or Mamiya 7.
As of digital, I carried a borrowed large sensor compact. Good for the snapshooting. At the end it depends of each person.
What I meant is 645 tends to fit better with common paper sizes (e.g. 8x10) than 35mm does. I often find I'm governed by the vertical dimension with 35mm negs, which leaves the ends of the image overhanging the paper. This doesn't happen so much in 645 in my experience. 42mm vertical is a lot more than 24mm vertical dimension.
Regardless of formats, I do my cropping before I take the photograph. I do not enjoy working with a tiny sliver of any format, especially 35mm.
I am not a great fan of the shape of 35mm nor 645. Additionally, I make the print, mat and frame fit the composition and do not as a rule force my work to fit a paper format.
Stay far away from a Stereo Realist camera then. They produce two small images on 35mm slide film. You then have to cut and mount the "chips" in special slide mounts. It can get tiresome if you mount a lot of slides at once. I love the images viewed in a 3D viewer but slide mounting isn't my favorite thing to do.
Makes sense.I am not a great fan of the shape of 35mm nor 645. Additionally, I make the print, mat and frame fit the composition and do not as a rule force my work to fit a paper format.
Personally I find taking too much photographic equipment can spoil my travel experience (and that of others with me). Less is more for me. I don't want to be encumbered and I also don't want to be worrying all the time about theft. Having lots of camera equipment can be a way of drawing (unwanted) attention to oneself. It's all very well to crave the nice big MF negative over 35mm but to take two system cameras in different formats and associated lenses and accessories is too much for me. There's such a thing as enthusiasm for a hobby and going too far. For travel I use 35mm and occasionally a 6x6 or 6x7 folder for landscapes. I try to keep the number of lenses as low as possible and to use lenses that take the same size filters. It is usually possible to just walk closer or move further away rather than reach for yet another focal length. IMHO it is more important to enjoy travelling and to actually take some great pictures rather than be too concerned with which format they are in and perhaps not take the photograph at all!
^^^
In the past I have divided my travels into
It seems that all too often guys mention travel to a theme park with their family, yet they lug along a whole SLR kit, so they can worry about their gear or skip going on fun rides upside-down and/or thru water. They miss half the fun of being at the theme park!
- those holidays on which photography is a primary motivation of the trip
- those holidays on which photography is a secondary motivation of the trip
I have gone on extended trips to faraway lands with a medium format kit because photography and getting the best possible shots was my primary motivation.
I have gone on business tripos turned holidays, with a 135 format kit, because photos were very important but not quite to important as to bring medium format
I have gone on business trips with nothing but a compact P&S (with wide angle-thru-tele zoom and manual exposure capability) because photography was totally incidental to the trip
Indeed, or just a single camera with one lens. Better to take more film than another lens if going with limited space (air travel).A Mamiya 7 with a set of 3 lenses would indeed be ideal. I went with the Fuji GF670 and paired it up with a GF670W. Both cameras fit into a very small bag and are easily carried during an entire day out. I get two focal lengths of medium format goodness. Manual focus too!
For an even smaller, lighter kit, the same set up can be replicated with the Fuji GA645 & GA645W.
That's well said! I think that even 2 cameras can be stressing if being too much into it (depends of the kind of trip too).Personally I find taking too much photographic equipment can spoil my travel experience (and that of others with me).
IMHO it is more important to enjoy travelling and to actually take some great pictures rather than be too concerned with which format they are in and perhaps not take the photograph at all!
+1I have a Hassy with the full complement of lenses but I generally use only the 80mm. One body with an 80mm lens, some film and a tripod is a pretty compact kit. It also helps to be selective about what you shoot, meaning have a project or series in mind. That helps narrow down your lens selection as well as the subject matter.
Indeed, or just a single camera with one lens. Better to take more film than another lens if going with limited space (air travel).
I forgot Rolleiflex, which has to be the most classy and elegant way to travel with MF.
That's well said! I think that even 2 cameras can be stressing if being too much into it (depends of the kind of trip too).
I don't carry my Fuji on a Strap, but rather in a bag and take it out when I see a shot. Slower but works ok and doesn't call attention of having a huge camera strapped Snapshooting tends to be on the digital.
Something that I tend to do before shooting 120 is doing a bit of location scouting, but that's on closer places.
I have an acquitance (shoots digital) who carries everything in a rather awkward backpack and is so slow in everything. Plus with 3 lenses, it's almost change time always. He went travelling to africa and his bag (together with SD card and a wide lens) got stolen.
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