Currently I’m planning to change the original soviet Industar i50u lens with some 50mm 6-element lens, but I'm not sure is it worth the cost?
Make sure the condenser glass is clean and everything is aligned. You should be ok for a start.I recently acquired an old soviet enlarger Leningrad FU-3 (from the 50s) in working condition and I was wondering if these kind of vintage entry-level enlargers are worth using today? Or do they produce noticeably worse prints compared with some modern day enlargers (lets say for 8x6 B&W prints)?
As I understand, in principle all entry-level enlargers work more or less the same. Currently I’m planning to change the original soviet Industar i50u lens with some 50mm 6-element lens, but I'm not sure is it worth the cost?
Link to the enlarger: http://www.photohistory.ru/index.php?pid=1207248181049608
... old Russian glass were often good so I would give the current lens a try. If the Leinngrade is in it would work just as well a other brands.
I recently acquired an old soviet enlarger Leningrad FU-3 (from the 50s) in working condition and I was wondering if these kind of vintage entry-level enlargers are worth using today? Or do they produce noticeably worse prints compared with some modern day enlargers (lets say for 8x6 B&W prints)?
As I understand, in principle all entry-level enlargers work more or less the same. Currently I’m planning to change the original soviet Industar i50u lens with some 50mm 6-element lens, but I'm not sure is it worth the cost?
Link to the enlarger: http://www.photohistory.ru/index.php?pid=1207248181049608
The Sovjet lenses can be hit and miss. Maybe ok, maybe not - QC wasn't always that great. No reason not to test what you have first.Currently I’m planning to change the original soviet Industar i50u lens with some 50mm 6-element lens, but I'm not sure is it worth the cost?
What camera are you using? To my mind, there’s no point buying an enlarger lens that’s way better than the camera lens. But obviously it would be frustrating if the enlarger lens degrades the recorded image. You would notice that by studying the negative with a loupe and comparing the print. But be aware that vibration, poor alignment of negative and baseboard, and negative popping due to heat can all degrade sharpness and be mistaken for poor lens performance.
I haven’t used a condenser enlarger for several decades, but I can give you one piece of practical advice from that experience. When you adjust the vertical position of the bulb to get even illumination across the negative area, keep hold of its column until the retaining screw has a firm hold. Otherwise the bulb can drop and smash into tiny shards all over the condenser!
Yes, but who knows which way the OP’s interest might change? He might choose to use Russian cameras exclusively, or high-end 35mm, or he might switch to MF. All I’m saying is that a better lens may not improve anything at this stage.What if one later buys a better camera lens? Enlarger lenses are so inexpensive that for a little more one could buy a much better lens and save a cycle of selling a lessor lens to buy the better lens.
Yes, but who knows which way the OP’s interest might change? He might choose to use Russian cameras exclusively, or high-end 35mm, or he might switch to MF. All I’m saying is that a better lens may not improve anything at this stage.
Anyone silly enough to get intoAPUGPhotrio is doomed to a descending spiral into buy better lenses, cameras, larger formats and darkroom equipment. I had used 35mm Minoltas for decades and was happy, then I joined APUG. Since then I have moved up to medium format, the Hasselblads, many lenses, setting up a color and black & white darkroom, Jobo processor ... the list keeps growing. Because you have read this far, we all know that you are doomed and all hope is lost.
Not me, my feet are on the ground. Let’s hope for the OP.
There is no hope for the OP, he is doomed just being here.
Good. It's way more fun being doomed together than to be alone
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