I worked with a guy whose daughter got a scholarship to a big name school...i think it was Stanford... for softball.
Not sure she threw much faster (she was a pitcher) than 60 or 65 MPH, but she threw junk for strikes or you swore they were going to be strikes.
Tri-X in Diafine?Please tell me which film is “auto-iso”.
Is there anyone who prefer shutter priority like me? I’d be interested in hearing your reasons and thoughts.
Another reason I just remembered is that on some cameras it will let you control fill flash exactly. Even without TTL.
Really? Why is that? This should/would be the perfect opportunity to “get out of the closet”. ;-)With 35mm I use shutter priority all the time. In this thread no one posts about shutter priority because they would get hung, drawn and quartered.
Well, my D810 certainly has many menus. Walking through them to set the camera up seems better done with the camera held in front of me than with it up to my face. But so far -- slide digitizing, aquarium photography with flash illumination -- I haven't found reason to do anything that requires using the menus after I've set the camera up for a session. And I don't really see -- haven't done it yet, could well be mistaken -- the need for using menus on the fly for the out-and-about photography I anticipate doing when the weather is better and things have opened up.
I hope to go back to shooting flowers and insects and such with flash illumination. When I did this with K'chrome I had to set aperture -- that's all -- every time I changed magnification and I expect that's all I'll have to do when I shoot digital.
But then, I'm using my old manual focus lenses and use the D810 in manual mode.
I shot a bit of S8 film with C-mount S8 Beaulieus. These are very adjustable. I always set up a shot, including setting the camera, took the shot, set up the next shot, including setting the camera, ... Never ever adjusted the camera while it was running. But then I wasn't into in-camera fades or dissolves.
Really? Why is that? This should/would be the perfect opportunity to “get out of the closet”. ;-)
What does that even mean?And be on the bottom floor of a five story outhouse?
What does that even mean?
If you don’t like the thread, don’t post.
As the OP I can tell you this thread was not meant to be about the virtues of AP.I am pointing out that in a thread about aperture preference, statements about shutter preference get criticized. I usually us shutter preference but I always check the depth of field. On occasion I will use aperture preference. Both are good tools to be used as the situation requires.
As the OP I can tell you this thread was not meant to be about the virtues of AP.
Rather an indirect way of asking why SP is so relatively under prioritized (which would be clear if you read the clarifying posts)..
Sharpness/resolution normally being considered important, and one of the greatest robbers of sharpness being camera rotation along the x,y axis, shutter priority would seem a pretty good idea, at least on normal and tele.Having grown up learning photography with shutter priority automation (first, in a P&S, then in a SLR) I learned to think of shutter first, but always checking what the automation wanted to use for f/stop, and I would think if the indicated f/stop accomplised what I wanted (as well as if the section would result in 'proper exposure' for the lighting situation. In my time in photojournalism, it was so often 'I need a shutter speed I can hand hold well!" But I always used Manual on the SLR, rather than simply letting my camera always think for me. But after the first 10 years, I had 10 more (OM-1) wih zero automation, but match needle metering.
It took 20 years from those first experiences in photography, for me to finally land a camera with aperture-priority automation (OM-4 and ETRSi), so I had to change my thinking around. That was not a difficult transisition to make, even after using shutter priority automation for 20 years. And still, I always as used Manual on the SLR, rather than simply letting my camera always think for me. In that block of time, wedding and portraiture most often had me thinking about DOF control, and the cameras I used were well suited for that!
Fast forward yet another almost 20 years, with a camera that does both, and also does manual. Spending years 1-10 with shutter priority automation, and then years 20-50 with aperture-priority automation and the need for 'what DOF do I want?', I have found, in using a camera with both forms of automation during years 50-70, the need to think about 'what aperture for what DOF' is with greater frequency than for me than 'what degree of motion-stopping?'. In short, 'which way' is situationally dependent to the kind of shooting being done. I have not otherwise found a reason to always consider shutter speed first, in general...I don't shoot photojournalism now, and dSLR low light sensitivity makes handheld shutter speed hardly a consideration! Maybe if I routinely shot sporting events, that might shift the automation mode to other way! Or if I was a photo naturalist I would care more about shutter speed and its motion preservation rather than thinking about DOF.
Helge,Sharpness/resolution normally being considered important, and one of the greatest robbers of sharpness being camera rotation along the x,y axis, shutter priority would seem a pretty good idea, at least on normal and tele.
You know your minimum speed, and if you want and can afford (aperture wise) less DoF, you up the speed.
Again, I have strong doubts that you or anyone, will be able to make a good assessment of how exactly the DoF will look, with any aperture setting for an arbitrary shot.
Sure, you know approximately the difference between f8 and f2.8. But between say 5.4 and 8, it’s a crapshoot.
It depends so much on subject distance, subject to background distance and the lighting conditions, that no amount of experience will let you do anything but a guess.
The second you stop down to “check”, especially with slower lenses and higher apertures, you can’t see anything but a coarse dim outline.
The moment you are in a situation where you have seconds or minutes, as opposed to a second, you will be in metered manual and can faf around with the aperture to your hearts content.
And digital is moot here since we are on a film forum. But even on digital you want your “ISO” as low as possible to avoid “grain” and to get as good dynamics as possible.
Just cranking up the amplification will make even expensive stuff look like iPhone shots.
Anyone ever use DOF priority. That was funny for a while (AF camera focuses far/near, sets at hyperfocal, chooses aperture to fit then lets shutter fall where it may).
Helge,
I, too, argue the point about how useless the Hyperfocal Distance can be...using 200mm lens at f/5.6, how do you focus at 732' calculated Hypoerfocal Distance?!
So I easily understand your point about DOF...without calculator, does anyone inherently 'know' that DOF is 19' with 200mm f/4 setting focused at 100'? If you have 200mm prime lens, you have DOF scales to help in estimation.. Yes, it takes a calculator to know explicit depth in feet. Especially with zooms which have no DOF scale engraving!
OTOH, what I subjectively know with certainty is that f/4 20/20 vision DOF is 'somewhat shallow', while at f/8 it is 'less shallow' and at f/16 it is 'fairly deep' in relative terms. And with 20mm f/4 is really deep while f/16 is really really really deep. No calculator needed, to achieve what I want to achieve.
As someone who NEVER has used DOF Preview, I agree not only about dim display having relatively low value, but I also know that even at f/1.4 the DOF Preview of 24 x36mm image gives a pretty poor reflection of calcuated DOF Zone seen in 8x12" print!
My Nikomat FT3 has the shutter ring by the lens.I always liked aperture priority unless I needed manual. I'd cradle the camera in my left hand and use my fingers to focus the lens or change the aperture dial. I'd keep my right index finger on the shutter. If I wanted a certain shutter speed then I would just spin the aperture dial to get what I wanted. It was a lot faster then taking one hand off the camera to adjust the shutter speed dial on top of the camera.
Of course you could buy an Olympus and have both aperture dial and shutter speed dial on the lens.
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