FP4+ is quite versatile. But it's a bit slow for our windy conditions most of the year here at the coast, and it doesn't handle high contrast in the desert, high mtns, and deep forest nearly as well as TMax films, which extend the straight line portion of their characteristic curve about two zones lower into the shadows. I don't want to "tame" contrast, but to reproduce it in all its sparkle and deep shadow gradation, over the whole range, without compromising midtone microtonality either.