Isn't it.
My wife denies being a good photographer, which often results in an argument. Bizarre but true.
A few random thoughts. First, the difference between a color photograph and a B&W one is that color is the subject in the first case. You may have noticed that fashion photographers have moved away from color. Why, because it detracts from the model and what is being sold. What marketing wants the public to see is the coat, or the car, etc and not a particular shade of blue.
Second, B&W photography is not particularly difficult at least technically. But as Ansel Adams pointed out you do need to be completely familiar with your materials. Now I am not recommending the endless testing that some people love to perform. However you do need to be familiar with how a particular film responds in a certain lighting situation.
As to whether B&W photography is artistically difficult then most emphatically yes. Some people have the 'eye' but most do not. It's not something that can be taught. To use a musical example Mozart was writing very creditable symphonies at the age of three. You can't teach someone to be a genius. I do reserve the right to distinguish between artist and artisan. In the first paragraph above the fashion photographer is an artisan not an artist.
Looking at the photos I've recently shot on a family trip, most of them straight up suck. Actually there's only one I like, and to rub salt into wund, it was shot by my wife who's no photographer at all!
Colors are very important for our perception, they attract us to details. They provide contrast even when the levels of luminosity are the same. In essence, they provide 3 independent dimensions/vectors compared to BW single one. On top of that, most man made objects exploit that fact, that's why objects/cityscape will be attractive in color, but when shot with panchromatic BW film, they will turn into mushy blob of greys with no interesting points. Similar goes for landscape, the contrast between green/blue is well perceived in color, but is lost in BW.
In my experience, digital BW is more forgiving: "filters" can be in some degree applied in post processing, while RGB information is still there. Shooting BW film, you need to make it right right there and then, as you can only work with the information you stored on the film in the time of shooting. For portraits, I don't know why, but to me it seems like digital BW just works better "out of the box". Maybe I just suck and need to make and develop many many more portrait shots to learn.
Color images are reality.
Rather than focus on technical issues, I would ask what you saw in these photographs, and whether you think you captured that. When looking at photographs, or any art, the why is more interesting to me than the how.Attached are two images which are not something I'd really hang in my living room.
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