My understanding is that production has ceased, but there is remaining inventory.You can get 160NS in 220 size in Japan.
My understanding is that production has ceased, but there is remaining inventory.
It can be possible to fix it yourself if you order a roll of 70mm unperforated Ilford HP5+ and extra backing paper from the Ilford ULF program for 2018. You will have to slit the film yourself and there may be a slight risk for scratches on the back side of the film. Comersial 220-films used to have a separate anti-scratch layer on the back side from what I have been told.
But hurry in that case because orders must be in latest at May 25th. I'm enclosing a link to the British Silverprint´s information page about it. You can probably find your best dealer from there.
Good luck !
Karl-Gustaf
https://www.silverprint.co.uk/ilford-ulf-2015-ultra-large-format-custom-and-special-film/
Seriously doubt it. The main users were wedding photographers now everything is digital.
According to the dealer and item list for Ilford ULF 2018 ( I found it after my first post ) they offer 120-backing paper in 100 feet rolls and I suppose this can be cut to fit the 220-size rolls also.APUGERS have contacted THE ONE REMAINING MAKER OF BACKING PAPER -- the will not sell to individuals. So unless you have a stash of used paper you are SOL.
APUGERS have contacted THE ONE REMAINING MAKER OF BACKING PAPER -- the will not sell to individuals. So unless you have a stash of used paper you are SOL.
To the OP: Get it while you can.
I must have asked a thousand time the name of this mystery company. Nobody seems to know. Nobody is able to say who is this mystery company. Me too... I’m not buying the story.I read about such contact by Apuggers for the very first time.
I've know(n) a lot of other Pro photographers here in the UK and none ever even used 220 film. I've had 220 capable cameras since the 1970's and can't remember seeing 220 film on a dealers shelf.
My E6 lab supplied my film, I don't remember 220 ever being an option.
Ian
Wow, 220 was 90% of my film diet. I'd shoot the occasional 120 b/w or 120 Portra 800 on a dark day, but 220 was great, 30 shots with my ETR before changing. wish it was still made.
And what about the machine for actually putting it together with the film.I can practically guarantee that someone in China is gearing up now to make the backing paper.
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