That setup sounds great and I’m thoroughly interested in box design.I printed several years with the 67c Condenser model, single column. Really a great design as far as compromises between size and quality.
I got excellent 16x20 prints with it; I made a plywood sort of box to mount the top of the column to the ceiling, and made a DIY besalign lens board. I was able to get sharp corner-to-corner prints from 6x7 negs with the Nikkor 80mm. Boards and carriers are plentiful, they're shared with the cheap printmaker 35 enlarger. I even DIY'd a glass carrier and found a way to pin-register it to the neg stage. One of my buddies took it for his 14 yr. old daughter who has caught the bug, I think she scored. It's not wildly alignable, but the besalign does the trick. A really decent design for a small and basic MF enlarger.
That setup sounds great and I’m thoroughly interested in box design.
So I’m at my wits end. I’ve got a 67dichro s color head, and I can’t figure out how to eliminate the massive vignetting happening when enlarging with a 6x6 neg and the El Nikkor 80mm. Is there some kind of switch or lever inside the head that I need to switch in order to go from 35mm to 6x6? 35mm enlarging is great with the 50mm.
+1Welcome to Photrio.
You probably have the 35mm mixing chamber (part #10-42748) installed. You need to use it with the 6x7 mixing chamber (part #10-42614).
Had years of good service from mine.Worst piece of crap I ever owned
I now have a minolta 6x7...now we're talking precisionHad years of good service from mine.
But be sure that you don't confuse it with a Beseler Printmaker 67.
Here is mine set up in my bathroom/darkroom - it works well with a rollaway cart:
View attachment 202071
Had years of good service from mine.
But be sure that you don't confuse it with a Beseler Printmaker 67.
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