What would really be cool, DAYLIGHT RELOADS FOR 35mm CASSETTES! Back in the day you could buy paper wrapped 35mm reloads, film on a center spool without the outer metal cassette. You opened up your cassette, removed the empty spool, slipped in the reload, with it's paper tongue hanging out, after buttoning up the cassette you pulled the paper tongue and out popped the film leader.
We could sell it as a lower carbon footprint version, use 100% post-consumer recycled plastic and paper.
EcoChrome!
Of course you would need to have some reloadable cassettes on hand
What would really be cool, DAYLIGHT RELOADS FOR 35mm CASSETTES! Back in the day you could buy paper wrapped 35mm reloads, film on a center spool without the outer metal cassette. You opened up your cassette, removed the empty spool, slipped in the reload, with it's paper tongue hanging out, after buttoning up the cassette you pulled the paper tongue and out popped the film leader.
We could sell it as a lower carbon footprint version, use 100% post-consumer recycled plastic and paper.
EcoChrome!
I never had to bang the cassette on the counter top. I just gave the cassette a gentle squeeze and then pried off the end cap with my thumbnail.
Banging it was how I was taught in 1969. Most of the reusable metal cassettes I have now can be opened with my nails, no squeezing etc. needed (but then, I learned from my dad how to lift the seal cap on a Mason jar with my fingernails, around 1970...). The Soviet ones come off easier than the Kalt cassettes, plus both ends come off...
Did I miss something or fall out of the wrong thread?
What would really be cool, DAYLIGHT RELOADS FOR 35mm CASSETTES! Back in the day you could buy paper wrapped 35mm reloads, film on a center spool without the outer metal cassette. You opened up your cassette, removed the empty spool, slipped in the reload, with it's paper tongue hanging out, after buttoning up the cassette you pulled the paper tongue and out popped the film leader.
We could sell it as a lower carbon footprint version, use 100% post-consumer recycled plastic and paper.
EcoChrome!
Svema FN64 film made in the Soviet Union that is wrapped in black paper.
Banging it was how I was taught in 1969. Most of the reusable metal cassettes I have now can be opened with my nails, no squeezing etc. needed (but then, I learned from my dad how to lift the seal cap on a Mason jar with my fingernails, around 1970...). The Soviet ones come off easier than the Kalt cassettes, plus both ends come off...
The old Soviet or Russian caseless film sounds interesting and I'm wondering if it was available in 220, 120 70mm rolls and was it a good product, compared to Western mainstream films?
Does that come with the spool, or is it just the film itself?
There wouldn't be much sense in packaging 120/220/127 like those caseless 135 rolls, since they're normally packaged just rolled on a spool. For 70 mm, I don't know that there was ever pre-loaded cassette packaging; 70 mm for still cameras was only ever a niche product even among the niche products of high volume professional photography. It's hung on longer than 220 because it was always bulk loaded, the cassettes and loaders are durable, and the film is still produced for (also extremely niche) cine applications so machines to perf and roll it exist -- all that's special in still versions is packaging in relatively short bulk rolls (50-100 feet), and in emulsions that aren't usually used in huge movie cameras (like HP5+).
Unknown, the photos just show a black paper-wrapped cylinder.
Ah. @eli griggs I'm not fully in the know about Soviet film production, but I suspect the Svema 35 mm films were repurposed cine stocks (the Soviet Union had a flourishing, state-supported film making industry, and consumer photography rode its coattails) and were never cut in wider widths (though they were available in single perf 16 mm). There apparently were sources of 120 at some point (lots of Iskra and Moskva 2,3,4,5 cameras made and "sold" and it seems unlikely they were importing Kodak, Ilford, or Fuji for all the years between the end of WWII and the fall of the Soviet Union -- maybe Foma or Forte?), but I don't know when they stopped production.
As far as I know, all the Soviet-era film factories in Russia and Ukraine have closed. Lomography seems to be the only Russian source of fresh film, and theirs is 100% rebranded.
I was hoping someone had experience with the "reload" style Soviet films. I vaguely recall someone writing that the film is actually loose inside the wrapper, i.e. no spool, no paper leader, and thus needs to be loaded into a cassette in total darkness, but I don't recall where or whether it was a specific film.
Svema made a lot of film, and yes they did sell 120 film (something had to go in those Lubitels). I have no personal experience, but if one googles "Svema 120 film," there are pictures of boxes of Svema 120, some with expiration dates in the 60s or 70s.
Here's an article by a Westerner who remembers 120 film and foil-wrapped reloads loaded in a dark closet: https://kosmofoto.com/2022/04/the-ukrainian-factor-in-my-film-photography/
Die we collectively reach a conclusion on whether any 220 apart from Shanghai is coming back?
pentaxuser
Well, for a number of technical and economic reasons it's never coming back from Ilford, Kodak or Fuji. My understanding from various things posted by Ilford nearly 20 years ago is that the machinery ( at least in the first world) simply doesn't exist to do it anymore.Die we collectively reach a conclusion on whether any 220 apart from Shanghai is coming back?
DieDo we collectively reach a conclusion on whether any 220 apart from Shanghai is coming back?
pentaxuser
Would anyone on here want to buy 220 film that I make? If there is enough interest, I could open an ad in the classifieds.
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?