Hi all,
Just like some other camera makes, my Minolta Dynax 7 has an IR sprocket counter for accurate film advancement. Now, the manual states it's unsuited for IR film because of this, and I did see a nice example of film fogging here (scroll down to see the negatives):
http://en.wikipedia.org/wiki/Minolta
BUT... that image is for the discontinued Kodak HIE film (you can just make out the brand name in the blurred image), and all presently available IR films (Rollei R3, Efke 820c and Efke 820c Aura) are both far less sensitive to IR, and sensitized to a lower maximum wavelength. I thus began to wonder if fogging by an IR sprocket counter is still a problem :confused: If the film is far less sensitive, and sensitized to a shorter IR wavelengths, the short exposure to IR of the sprocket counter during film transport may not be a problem.
And I found this page that more or less confirms this, see the remarks about "Fogging problems affect only high-speed infrared film."
Dead Link Removed
But can anyone give his experience shooting Rollei R3 or one of the IR Efke films currently on the market (also the new Aura version that doesn't have an anti-halation backing and may thus be more vulnerable) and the effects of IR sprocket counters on these?
Do we still have a problem :confused:, or can it be ignored because the fogging is insignificant with the remaining IR sensitive films on the market?
Any specific experiences with Minolta cameras featuring IR sprocket counters are of course highly welcome too!
Marco
Just like some other camera makes, my Minolta Dynax 7 has an IR sprocket counter for accurate film advancement. Now, the manual states it's unsuited for IR film because of this, and I did see a nice example of film fogging here (scroll down to see the negatives):
http://en.wikipedia.org/wiki/Minolta
BUT... that image is for the discontinued Kodak HIE film (you can just make out the brand name in the blurred image), and all presently available IR films (Rollei R3, Efke 820c and Efke 820c Aura) are both far less sensitive to IR, and sensitized to a lower maximum wavelength. I thus began to wonder if fogging by an IR sprocket counter is still a problem :confused: If the film is far less sensitive, and sensitized to a shorter IR wavelengths, the short exposure to IR of the sprocket counter during film transport may not be a problem.
And I found this page that more or less confirms this, see the remarks about "Fogging problems affect only high-speed infrared film."
Dead Link Removed
But can anyone give his experience shooting Rollei R3 or one of the IR Efke films currently on the market (also the new Aura version that doesn't have an anti-halation backing and may thus be more vulnerable) and the effects of IR sprocket counters on these?
Do we still have a problem :confused:, or can it be ignored because the fogging is insignificant with the remaining IR sensitive films on the market?
Any specific experiences with Minolta cameras featuring IR sprocket counters are of course highly welcome too!
Marco
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