This is interesting to me, particularly if you can do something with a probe and a buzzer to meter daylight.
My usual albumen printing session starts around 10 am and I go to about 3 or 4 pm, depending on the season. I'm usually printing in indirect sunlight, and my best negs print at around 1 hour in indirect light, 20 min in direct sunlight. Occasionally, I might have a neg that prints 90min or 2 hrs in indirect light. Beyond that, you start getting strange artifacts like heat marks from the rivets in the print frame.
I usually have up to four prints exposing simultaneously. Are multiple timers a possibility? The way I do this normally is to use a small battery-operated Paterson process timer, which has three timers that can run simultaneously, and maybe I'll use something else like the stopwatch on my iPod for a fourth. I've also just marked the time on a sheet of paper for each frame, so that can work as well. I inspect the print as it prints out. An alternative to multiple timers might just be having a range of, say, 6 hours, where you could just start it at the beginning of the session and write down the start time to keep track of prints as the exposure begins, where the time would not be the literal time, but the time as it reads on a Metrolux timer, expanding and contracting with light output.