Quite the opposite, from what I have read over the years. In fact, a lot of people say that you should stick with either white or light grey in the darkroom... Anyone else read or done this?(nb, I am aware that the area round the enlarger should be dark vinyl, this was before the darkroom was fully completed)
crude but effective;so, who cares. attached is my solutionHi folks
We are due to move into a new darkroom space next week. We have the opportunity to do something more elegant than our current blackout solutions (black and white "grow shop" vinyl, gaffer taped to window frames. For the door, weather seal, backed up by a sheet of aforementioned vinyl, kept rolled up above the door, fixed in place with hook and loop when working dark). Our current extractor fan light trap is a crudely cut cardboard box, spray painted black, taped in place.
I've done a fair bit of research, there are simply tons of options for blacking out and extraction / ventilation. It would be really useful to see a bit of a gallery of people's darkroom light seals and extraction setups - if anyone has a photo lying around they could post here, I would be most grateful.
Attached are a couple of pics of our current, slapdash efforts for a starting point (nb, I am aware that the area round the enlarger should be dark vinyl, this was before the darkroom was fully completed)
Thanks in advance!
I am aware that the area round the enlarger should be dark vinyl
Actually, having it dark and non-reflective in the area immediately adjacent to the enlarger is a good idea - to stop reflections of stray light from the enlarger.Quite the opposite, from what I have read over the years. In fact, a lot of people say that you should stick with either white or light grey in the darkroom... Anyone else read or done this?
Terry S
... just weather seal around the door. ...
agreeing with Matt. painting everything black makes for a depressing darkroom but, the areas close to the enlarger should be painted flat black to kill potential reflection that could be coming back to the fogging the highlights.Actually, having it dark and non-reflective in the area immediately adjacent to the enlarger is a good idea - to stop reflections of stray light from the enlarger.
But the rest of the darkroom is much more comfortable to use with white or tan or light grey walls.
I would made plywood cut outs to fit the windows, use weather seals to make the joints light tight, you can paint the outside of the cut out to match the exterior wall. For interior paint, flat black or if you get your paint shot to color match OC safelight, for door, if you have zoom to build a zig zag entry way with 2 sets of black cloth drapes on each end. If you don't have room or don't want to spend the money to make walls then just weather seal around the door. Ventilation depends on overall construction of your space, is it a stand along house, single or multi storied, do you have an crawl space between the roof and ceiling?
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