Insane in Northeastern Colorado

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dsisaacs

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Okay this is really long. so long it is in two posts. LOL

Back in the 70's I made about a third of my living as a professional photographer. For about a year I also taught “modeling for the photographer” at a Denver modeling school. In these classes I taught aspiring models how to work with a photographer, how to pose, helped them become comfortable, and we began to develop a portfolio for them to embark on their careers. I had the most fun doing this and for a while I was teaching four classes a week of about 7-10 students each, I shot 1 roll per student per week for eight weeks, that’s about 28-40 rolls of film per week. I developed and contact printed all of them myself in my darkroom. I was also doing some other kinds of work for various clients. I did PR photography for Frontier and Texas International Airlines, Lerin Cosmetics, some local lingerie designers, and an occasional wedding (which I hated doing).

When I wasn’t doing photography I would do other work such as house painting, repairs, plumbing, or if I had nothing to do I would call up the temp agency and do office work, 10 key, filing, clerical. I kept pretty busy and made a decent living but it was very hard to buy the camera equipment I wanted, and I wanted it all!

I built up a fairly complete Canon F1 system, with motor drive, 9 lenses three strobes and assorted accessories. I was only able to afford an odd assortment of studio lights and reflectors, whatever was on sale or clearance. A proper studio strobe system was always out of reach. Medium format, a Hassleblad system, was way too expensive, as was a view camera. My darkroom setup was an Omega B22XL enlarger with both a condenser head and a dichroic lamp head, I had a color meter system but found it to be useless to me, I made as many test prints without it as I did with it, so I sold it. I developed B&W, C-41 color negatives and E-6 Ektachrome films and I printed B&W and color. I fell in love with Cibachrome and eventually stopped using negative film altogether.

In 1980 my roommate was getting married, I couldn’t afford the house we were sharing and I needed a change of scenery and moved to Los Angeles where my parents had gone about two years before. I lived with them for about 6 months while I tried to establish myself. I went so far as to “rent” an upstairs apartment in west LA to set up a studio and darkroom. This was an unused vacant apartment that was uninhabitable due to lack of maintenance and tenant damage so I got an exceptional deal. I spent over a month cleaning and repairing, remodeling and patching the roof and getting it ready to use, only to have the owner throw me out when it was fixed up so she could rent it for a lot more money. Since this whole deal was set up by my father, she was a “friend” of his. I got screwed. By now I was completely broke, I had pissed off the biggest temp agency in the area purely by accident and could not get any temp work. I was finding it very difficult to get anyone to even talk to me about working as a photographer there were so many in the area. I had no money to return to Denver, I was stuck and disillusioned.

So I fell back on my experience as a handyman. I put an ad in the Recycler, a weekly classified that was sold in stores, private party ads were free and my three line service directory ad cost about $7.50 for the week. The day it came out I got a call to convert a house into a duplex. This required a kitchen a bath and a new entry. They accepted my bid and I was off and running.

For the next twelve years I worked non stop, turning down more work than I did. I expanded my skills, knowledge and equipment, worked hard to satisfy even the most cantankerous customers, developed my own method for kitchen cabinet refacing that was without equal in the market. Went to trade conventions and shared my ideas with the manufacturers representatives and saw many of my ideas appear in the market. While this life was very satisfying, I never made very much more than a decent living. I eventually got my contractors license and specialized in kitchen and bath remodeling. I did all the work including tile, plumbing, plaster, electrical, cabinetmaking, etc.

As a perfectionist, I gave up on trying to hire people early. Either I had to redo their work or they spent so much time doing it that I lost money. I remember one time I was installing a sprinkler system. I dug all the trenches, laid out the system, and when it was completed and the dirt needed to be put back in the trenches I went down the state employment office and hired a guy to do this. It took almost 90 minutes to get back to the job with the guy, I showed him what I wanted done and went inside to work on the kitchen. About 2 hours later I went outside to see how it was going and the guy was gone. His coat was hanging on the fence where he had left it. About 6 feet of trench was filled in. I never did see him again. I threw his coat away about a week later. I filled in the trenches in about three hours and that was the last time I hired anyone for general labor.

Throughout I always wanted to somehow get back to photography, but there was always something that stopped me. The truck would break down, I got married and divorced, I was booked up with kitchens to do. Some might say I was never fully committed to photography. Well I suppose if that means was I willing to sleep in my car and go hungry, then no I was not that committed.

In 1993 I moved back to Denver and continued with my remodeling business. I later rented a commercial space and set up a real cabinet shop. I built kitchens and other cabinetry and also espresso carts and shipped them all over the country. My landlord started making noise about raising the rent so I made a deal with him to remodel the adjoining house for free including a completely new kitchen and bath in exchange for the rent staying at the same level for two additional years. Of course as soon as the house was done he started eviction proceedings so he could capitalize on my work. In the end at least I had learned something from my experience in California, since our agreement was in writing he had to pay me for all the work at fair market value. But I still ended up having to move. Not only could I not find a shop space I could afford but by now I was pretty tired of remodeling. I tried a year as an over the road truck driver, worked in a cabinet shop, got married, home depot for 5 months, then measured kitchens for refacing for a national chain. Then my wife and I opened a retail arts and craft rubber stamp and scrapbook store. For four years I worked 7 days a week, 10-12 hours a day. The store was growing and going fine until Sept 11, when the whole economy took a bit hit along with the twin towers. We closed the store about a year and a half ago and last November I moved out here to the prairie of northeastern Colorado.

Life and time has a tendency to get away from you. One day you’re twenty and you can’t imagine life at fifty, and the next moment you’re fifty and wondering what the hell happened.


A couple of years ago I tried to get a view camera system put together, I found a 4x5 Omega on ebay, got a good deal on a lens, a horseman roll film back. But when they arrived my now ex-wife had a fit. I never even got a chance to try the camera. It had to go and the money had to be put back. She forced me to sell off my canon camera equipment and many tools with the money going into the business.
 
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dsisaacs

dsisaacs

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Insane in NE Colorado Part Deux

So a few weeks ago I go to this arts and crafts show in the city park and get to chatting with a photographer. He tells me about APUG.ORG and the whole analog photography movement. Just talking and thinking about photography is sort of exhilarating. I log in to APUG.ORG and am rekindled. A couple of weeks later I sell my backhoe and a shipping container and am suddenly flush with cash. All of which is desperately needed to remodel and repair my house. But there I am reading the forums on apug and it just so happens that a member wants to sell an Omega 45E for a very good price. Of course I immediately buy it and I rush headlong down the road toward large format photography. After a few weeks of apug, ebay and online shopping and about $2000.00 I have arrived. I now have a fairly complete system.

I bought:
Omega 45E 4x5 camera with 4 lensboards
Rodenstock 150mm Apo Sironar lens
6 Lisco film holders
graphic 23 120 roll film back, I plan to use this for color film
polaroid 545 pro back, this will allow me to get started without a darkroom
Gossen Luna Pro SBS Profi-System meter
Schneider 4x lupe
Omega 45Dxl Super Chromega II enlarger with 2 lenses and 3 negative carriers
16x20 trays from ebay
cibachrome tubes 4x5, 8x10, 11x14, and 16x20
yankee daylight 4x5 developing tank
2 packs of type 55 Polaroid 20 ea
10 rolls of ektachrome 120
100 sheet pack of T-Max 4x5
25 sheet pack of T-Max 4x5
37 packs of out dated Fuji BW3000 instant, to play with and get used to the camera
bogen 16x20 easel
seal 150 dry mount press
various step rings, rubber lens shade and a polarizer filter
new foam for my old Haliburton 110 case, I might use it for transport
4 ansel adams books on technique

I still had:
My old Slik tripod which will do for now
all my old darkroom equipment for up to 11x14
gossen attachments - spot meter, enlarging, and flash
logan mat cutter with straight, bevel and glass cutters
3m adhesive applicator for framing
many assorted books on large format, the zone system, polaroid, and photography in general


Okay so maybe I went a little crazy, but then again. In my previous life I only did mount and frame one single image for myself. I haven’t set up my darkroom since 1980.

I have learned how to load the roll film and polaroid backs. I am not yet ready to load sheet film yet since I don’t have a darkroom. I have practiced focusing and composing with the camera and I am re-reading my books and some forum posts on APUG. I have mixed the sodium sulfite for the polaroid negatives.

Now I just need to get over the first exposure. Why do I feel that it needs to be so much more than mediocre? Must be because it is such a milestone event in my life. I have waited 26 years to own and use a view camera. Or is it the $3.00 per polaroid! I can’t wait for the outdated fuji film to arrive. I got a real deal on it, unless it is bad then, oh well.

I have redesigned the plan for my house remodel to allow for a nice darkroom. Of course a bathroom and a kitchen would be nice. As I have currently torn them out and still need to rebuild them. This camping in the house is tiresome. It’s a good thing I have a motor home for a shower and toilet.

Right now it is 96° outside so I will wait for this evening to do the deed.

I must be crazy, of course I am, I’ve been married three times!
 

df cardwell

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Dude !

You most surely are not insane, in the land of barrel racing, 8 man football and the big red sun ! I'd be heading out for a ag paneled building and catch that last 1/2 second of daylight screaming across the prairie.

Whatever it is, have fun.

Then go find some tamales and pacifico
 

jovo

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I was going to watch a video tonight, but instead, I think I'll just reread this slowly ;-) (big wink!)

By now, I hope you've figured out the 'interview' questions you need to ask before you marry again. Remember, only your dog will still be excited to see you after a year or two unless you asked the right ones, and got the right truthful replies. But...good for you for getting what seems to be a fine outfit. You could get hit by a bus tomorrow...be sensible, but don't ignore what you need today.
 

David A. Goldfarb

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That's quite a story.

LF photographer with cabinetmaking abilities--you know there's a profession there. Small shops making high quality view cameras and filmholders (particularly ULF holders) are selling every camera they can make.
 

removed account4

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wow, that is a great story.
best of luck with your large format adventure!

you are in great company here on apug, we are all a little insane ( or at least i know i am :smile: )

-john
 

Paul Sorensen

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Welcome! It is nice to see yet another person from Colorado on APUG. I often go up toward Fort Morgan to shoot, I just love the topography and the skies. I am sure you will have lots to shoot up there once you get the Omega going.

By the way, if the Fuji instand film works and you want to unload a couple of packs, let me know. It would also be a good excuse to come up your way for a visit!
 
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dsisaacs

dsisaacs

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N.E. Colorad
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first picture

here is the first picture!
type 55 p/n this is the positive
I don't think I got the envelope all the way back on and I got some flare at the end

this will take time LOL
 

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DBP

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David A. Goldfarb said:
That's quite a story.

LF photographer with cabinetmaking abilities--you know there's a profession there. Small shops making high quality view cameras and filmholders (particularly ULF holders) are selling every camera they can make.

I think you are on to something here. Any machining skills?
 

Curt

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I would need to have a little more information to determine if you are serious about this new adventure. Maybe some address and dates to document your story. No just kidding! Like a lot of people you have come full circle and are back in photography again. It's more fun the second time around. Why? Because life experiences have defined your life, way of thinking and purpose. It seems that when a person is bitten by the Art bug they can never completely shake it.

Good luck,
Curt
 
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