Mr Bill
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- Aug 22, 2006
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That would require an acidic fixer, perhaps with hardener, wouldn't it?
Hi, it was a long time ago, and my memory is pretty fuzzy, but I think it was most likely a low-pH non-hardening fixer. That machine ran almost exclusively a textured double-weight paper which was dried emulsion-up, against the canvas apron. Everything on it was from an internal copy & restoration group with several dozen employees. Most were "work prints" that an artist would retouch or otherwise "repair," maybe adding color per a customer's description. These work prints were then photographed, and final customer prints were made. The processor was set up with an optional toning step, using Kodak Polytoner. So depending on what the C&R customers had ordered, they were toned, or not. (Those Kodak machines had moveable lower rollers, attached to long rods clamped to a rack on top of the machine; by lifting the "rods" completely up the operator could bypass the Polytoner.)