Did Weston burn his house down, too? Seems strange to burn something of value that could have been left to his family.
Did Weston burn his house down, too? Seems strange to burn something of value that could have been left to his family.
Who got the Porsche?Brett lived in Hawaii. He burnt some of his negatives, soaked some in barrels of water, punched holes in the corners and scribbled in sharpie on others. He left everything else to one of his daughters, leaving the other 4 from his first marriage out of his will.
Brett lived in Hawaii. He burnt some of his negatives, soaked some in barrels of water, punched holes in the corners and scribbled in sharpie on others. He left everything else to one of his daughters, leaving the other 4 from his first marriage out of his will.
"The primary reason he decided to destroy his negatives was that he did not want his work to be handled as his father’s had, Williams said. “He had watched the difference between the way Edward worked and how Cole printed the negatives. I think he felt that it may have been a necessary financial inheritance for his father’s sons, but the artistic compromise was something he couldn’t live with. He has always felt that the print is the final statement.”
When you're dead, you're dead. Why screw your kids and grandkids because of pride. Sound pretty narcissistic to me.
I believe Brett was partial to Corvettes. He got a new one every year.
He obviously didn’t care much for 4 of his 5 kids. So they were screwed anyway and the artistic integrity of his life’s work remained intact.
"Grandpa screwed me because he didn't leave me his negatives" is quite the sense of entitlement.
What's your source for claiming he had 5 kids and a new Corvette every year? He had a daughter, Erica. Who were the other four kids? @Pieter12
Kim Weston told me about the Corvettes. The four children are misinformation from the internet. I should be more diligent.
For me, this demonstrates the importance of the personal connection between the image and the print.I once saw an exhibition of those master prints, and they did have a very special personal feel which only Stieglitz himself could have rightly adjudicated.
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