Recently I bit the bullet and started shooting some type 55. It did make me gasp a little, economically, but after spending some time with the negatives, all I can say is...Wow! Sharp! And grain approaching microfilm standards. (well maybe not, but it is pretty darn fine)
Things are going to get more expensive,, and a niche product like Polaroid is of course, showing the brunt of it.
I feel a little less gouged, now that I have experienced the thrill of checking out my neg, and overexposed positive, right in the field. It reminds me of the feeling I get when a print comes up in the tray.
I have posted a type 55 I shot over the weekend in the gallery. I'm very pleased.
Anybody else in praise of this film? How do you like to print it? Is there a way to keep the rough frame edges in an enlarger? Filed carriers? (A little affected, I know)
If you have not shot some, I urge you to try it- sticker shock and all...
Things are going to get more expensive,, and a niche product like Polaroid is of course, showing the brunt of it.
I feel a little less gouged, now that I have experienced the thrill of checking out my neg, and overexposed positive, right in the field. It reminds me of the feeling I get when a print comes up in the tray.
I have posted a type 55 I shot over the weekend in the gallery. I'm very pleased.
Anybody else in praise of this film? How do you like to print it? Is there a way to keep the rough frame edges in an enlarger? Filed carriers? (A little affected, I know)
If you have not shot some, I urge you to try it- sticker shock and all...
Last edited by a moderator: