You expose the light sensitive paper, note how many seconds until it turns the prescribed tint (luminosity), then consult the "speed" card to calculate your exposure. The meter body revolves around the face to calculate various aperture/speed combination.Cool. How do they work?
I prefer cameras that only use batteries for light meters.[/QUO
I prefer cameras that only use batteries for light meters.
Why Sirius Glass, you, like I, must be a Luddite. I have been trying for years to be considered one and at last it seems I have reached that goal. I only have one film camera with a built-in battery. I do have several hand-held meters, one of which has a selenium cell and no battery. If I wanted to be with the "IN" crowd, I would take pictures with my cell phone....Regards!
I'd be curious to know how many people here have actually experienced, themselves, on equipment they own, electronic and mechanical failure in their cameras.
Yes, when the clockwork has only a single speed and the rest are electronically controlled. Another odd example is the Horseman, where the shutter is fully clockwork, but the release mechanism solenoid is electronic.Are batteries in cameras really necessary? when clockwork mechanisms will do the job.
By the way, it's quite impressive what the clockworks cameras can do: they give the correct shutter speed (and all the things that happen as the shutter is firing), provide self-timers, and make sure that you don't double expose the film. I am just wondering; are there any mechanical cameras that can do more than this? For instance, I could imagine something like a wound-up motor drive, but I have never heard of it
I find cameras more complex than an OM4 to be too hard to even think about redesigning a fix. I'm more familiar with the OM series than any other camera, but I imagine other brands have similar technology levels.
In addition to E. von Hoegh reply, Some Kodak Instamatics for 126 film had a clockwork advance. My father's Instamatic 414 has one. It's a cheap, simple, camera, but that was a nice feature.By the way, it's quite impressive what the clockworks cameras can do: they give the correct shutter speed (and all the things that happen as the shutter is firing), provide self-timers, and make sure that you don't double expose the film. I am just wondering; are there any mechanical cameras that can do more than this? For instance, I could imagine something like a wound-up motor drive, but I have never heard of it
... how many people here have actually experienced, themselves, on equipment they own, electronic and mechanical failure in their cameras. ...
In addition to E. von Hoegh reply, Some Kodak Instamatics for 126 film had a clockwork advance. My father's Instamatic 414 has one. It's a cheap, simple, camera, but that was a nice feature.
My Pentax ZX50 died. The mirror flipped up, but never flipped down. It wasn't worth repairing, so I gutted the screws from it and threw it away. My Pentax Super Program has been rock solid though, even without a CLA, and it's a good bit older.I'd be curious to know how many people here have actually experienced, themselves, on equipment they own, electronic and mechanical failure in their cameras. I have yet to experience an electronic camera die. I have had more than one mechanical failures though.
My general rule of thumb is to avoid electronics made after around 1995. The 80's to the early 90's were the golden age of electronics.
Well, not everything that comes from the golden age is "golden". But with electronics in general, it's often thought that was a high water mark. Basically, it's the time period when IC's had really started to come into their own and before SMD's showed up in everything and miniaturization took off. It's especially true in industrial and high end consumer goods where corners weren't cut. Though a poorly designed circuit of any age won't last. Also, a big issue with any old electronics is dried out electrolytic capacitors and battery leakage. Both are easily fixed by someone who knows their way around a soldering iron.Golden age? Perhaps my luck is bad, but I've never had a good X-series Minolta. Olympus OM-G and OM-PC often have inconsistent shutter-timing. OTOH, I've never had an OM-10 fail. Even CdS exposure-sensors are often weak in built-in meters. Same with Selenium cells. So my policy is to stay with mechanical-only cameras with manual exposure-control.
Mark Overton
Well, not everything that comes from the golden age is "golden". But with electronics in general, it's often thought that was a high water mark. Basically, it's the time period when IC's had really started to come into their own and before SMD's showed up in everything and miniaturization took off. It's especially true in industrial and high end consumer goods where corners weren't cut. Though a poorly designed circuit of any age won't last. Also, a big issue with any old electronics is dried out electrolytic capacitors and battery leakage. Both are easily fixed by someone who knows their way around a soldering iron.
The "auto exposure" cameras came out and needed complex circuitry with electronic shutters providing stepless speeds.
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