In camera Alternative Processes ????

Recent Classifieds

Forum statistics

Threads
197,574
Messages
2,761,308
Members
99,406
Latest member
filmtested
Recent bookmarks
0

brucej

Member
Joined
Aug 29, 2007
Messages
40
Location
melbourne au
Format
Medium Format
In camera Alternative Processes ????

When I first started researching “Alternative Photographic Processes” a while ago,
The words Alternative Photographic Processes means to me that the process is Non-silver and starts by Exposing a plate or coated paper in a camera,
Developing it
And THEN printing it or making the negative a positive.

But with most of the stuff on the net and most of the books I have seen
The words Alternative Processes means
“Alternative PRINTING” with an already made negative.

Is anybody actually doing the entire non-silver process in a camera and if so which process are you using?
Thanks
 
Last edited by a moderator:

Photo Engineer

Subscriber
Joined
Apr 19, 2005
Messages
29,018
Location
Rochester, NY
Format
Multi Format
Cuprous Oxide is light sensitive and quite fast. It is outlined in several texts on light sensitive systems. The nice thing is that it is almost orthochromatic in nature due to the color.

PE
 

Vaughn

Subscriber
Joined
Dec 13, 2006
Messages
10,027
Location
Humboldt Co.
Format
Large Format
Terry King, the Historian for the Royal Photography Society has discovered, or re-discovered a cyanotype process that can be used in-camera. He calls it Cyanotype Rex. He described it generally in ViewCamera Magazine awhile back. One must buy his dvd to get the details.

Basically, one coats the paper with Ferric oxalate (or others have used Ferric ammonium citrate, I believe). Then it is exposed, then developed in a bath of Potassium ferricyanide.

Just a thought, but I wonder if one could incorparate the Ferric oxalate into gelatin, coat glass with it, then develop in the Potassiun ferricyanide to yield a blue and white negative for printing. If there is a toner for cyanotypes that yields a yellowish negative, then the negatives could be toned and used for other UV-exposed alt processes.

Vaughn
 

Photo Engineer

Subscriber
Joined
Apr 19, 2005
Messages
29,018
Location
Rochester, NY
Format
Multi Format
The problem with most alternative processes is that they are UV sensitive, not visible light sensitive and therefore distort what the human eye would see. If this is what you want, then that is fine, but if not, then it presents a problem.

PE
 

Brook

Member
Joined
Mar 12, 2004
Messages
94
Format
8x10 Format
Kind of makes silver the natural choice eh?
 

Brook

Member
Joined
Mar 12, 2004
Messages
94
Format
8x10 Format
Tintypes, a type of wetplate collodion, is based on silver nitrate. A direct positive is possible, as is a negative that can be tailored to most any type of store bought silver paper, or the various alt processes.
 
OP
OP

brucej

Member
Joined
Aug 29, 2007
Messages
40
Location
melbourne au
Format
Medium Format
"Basically, it was cuprous oxide precipitated in the dark in a peptizing polymer and then coated. Exposure was normal (blue + uv light) and development was done with sulfuric acid at about 0.1 N. The image could be fixed with sodium hypo."

PE back in 2005 you wrote this in another thread, do you mean red cuprous oxide ?
 

Photo Engineer

Subscriber
Joined
Apr 19, 2005
Messages
29,018
Location
Rochester, NY
Format
Multi Format
Yes, red cuprous oxide. But you have to make it in-situ. The reason is that the material you buy off the shelf is already 'fogged'. When it is made fresh, it is a much lighter yellow red.

There are a number of patents and research disclosures on this. I don't have any of the numbers though, sorry. I think that the original work was by Peter Hillson or Hillison at Kodak in the 60s. I've forgotten the spelling. Sorry.

PE
 

gr82bart

Member
Joined
Mar 1, 2003
Messages
5,591
Location
Los Angeles and Toronto
Format
Multi Format
Tintypes, a type of wetplate collodion, is based on silver nitrate. A direct positive is possible, as is a negative that can be tailored to most any type of store bought silver paper, or the various alt processes.
D'oh! You're right. My bad. Hmmm ... it doesn't really leave much left, now does it?

Regards, Art.
 
Last edited by a moderator:

kevin klein

Member
Joined
Mar 20, 2006
Messages
194
Format
Large Format
I always thaught that "In Camera" meant exposing and development in side the camera.
 
OP
OP

brucej

Member
Joined
Aug 29, 2007
Messages
40
Location
melbourne au
Format
Medium Format
KK i guess you are right there, i will try and change the thread name.

PE doing a bit of searching i have found that cuporous oxide is indeed light sensitive, you can make a solar cell by heating a copper plate and making a layer of cu2o , and you can make it by Electrolysis useing salt water and copper ELECTRODES, and use the left over salt water as weed killer.

So from what you are saying it needs to made in the dark, and kept in the dark and should be yellow.
How were you useing it ? as it appears to be water insoluble
 

Photo Engineer

Subscriber
Joined
Apr 19, 2005
Messages
29,018
Location
Rochester, NY
Format
Multi Format
Bruce;

It is made in a polymer and then coated on support such as film or paper. On exposure and development, you get a copper metal negative image and a cuprous oxide positive image. The cuprous oxide can be dissolved. The speed is similar to Kodabromide paper.

If you precipitate it without a polymer to protect it, the crystals will clump and become useless.

PE
 
OP
OP

brucej

Member
Joined
Aug 29, 2007
Messages
40
Location
melbourne au
Format
Medium Format
Thanks PE
your comments makes it a fair bit more complex to do this process.
more thinking time
 

Photo Engineer

Subscriber
Joined
Apr 19, 2005
Messages
29,018
Location
Rochester, NY
Format
Multi Format
Try the textbook by Khosar on alternate processes. I don't remember the title, but I found it very interesting.

PE
 
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links.
To read our full affiliate disclosure statement please click Here.

PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Ilford ADOX Freestyle Photographic Stearman Press Weldon Color Lab Blue Moon Camera & Machine
Top Bottom