lightwisps
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To me, the description makes it sound like it's similar to Rodinal and I agree it is.
While some may consider the resultant negatives to be similar the two developers are vastly different in composition.
The one downside that I have heard about Ilfosol 3 is that the concentrate does not keep well particularly once it has been opened.
It still goes bad pretty fast. I've been using it for a few years with good results, but I put glass marbles in the bottle to keep oxygen out. Add more marbles with every use. That said, I still rarely finish a bottle before it gets too yellow to trust.Ilfosol-3 keeps for a much longer period and it's not the same formula.
It still goes bad pretty fast. I've been using it for a few years with good results, but I put glass marbles in the bottle to keep oxygen out. Add more marbles with every use. That said, I still rarely finish a bottle before it gets too yellow to trust.
The myth that XTOL has poor keeping qualities is busted and should not be further propagated. When properly handled, XTOL provides just-mixed quality for at least twice Kodak's specified maximum storage life:...its keeping properties were dreadful. Similar to xtol...
That was Ilfosol-S. Yes its keeping properties were dreadful. Similar to xtol.
Ilfosol-3 keeps for a much longer period and it's not the same formula.
Is that T-max 400 image from a negative or print scan? The grain is extremely high.
Tom
I know this thread is quite old, but I thought I might ask anyway. I'm new to LF (8x10) and I'm using a rotary processor. My biggest issue is the highlights seem to loose detail quite quickly. I have been told that Ilfosol 3 is quite "aggressive" and I need to keep reducing my development times. Ilford suggests 7:30 (1+14) to start and to reduce 15% if using constant agitation. That put me at 6:22. The highlights were blown. Then I reduced to 20% and that took me to 6:00. It's better but I want to go to 25% and see what that does (5:38). Has anyone had these kind of issues? I'm using Delta 100. I have been spot metering the darkest shadows that I want detail in and same with the highlights. Then I take an average. The meter then tells me what the dynamic range of the scene is. It's contrasty here in Florida, however most of the time I can get it in a five stop range. Any ideas would greatly be appreciated. Thanks...
Thanks for taking the time to contact me. After much research, I kept seeing two combinations coming up. Ilford FP4+ and Kodak D76. I ordered some of both and tried it. I cut the development time by 30% since it was a high contrast scene and for the rotary processor. I was amazed at the difference. Great shadow detail and I was able to hold the highlights. Then I shot a sheet of Delta100 and developed with D76. Again cut by 30% as a starting point. The results was much improved over the Ilfosol 3 that I had been using. The last time I used Ilfosol, I noticed it had started to turn color, I'm guessing it's on it was out. I have been really happy with D76 as a developer and plan to continue working with it. Thanks!Did you work out your problem with the blown highlights?
Maybe DDX would be better for a rotary processor?
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