The Mamiya lenses are narrower diameter than most all the canon EOS lenses, and lighter too I think, so on balance, a smaller package than a 5D and lenses.
The meter is the same between the 7 and 7II. The only differences are the 7II offers is a polarization layer on the rangefinder window (debatable value - really not noticable unless shooting into the sun), and it has a multi-exposure capability. The negatives are the 7II's darkslide wind lever is seriously flawed and far inferior to the one on the regular 7. I've had both bodies at the same time, and later sold the 7II as it didn't really offer anything over the 7.
All the lenses are great. The close-up adapter is a bit kludgy but optically excellent. The polaroid back is best if dedicated to a 2nd body. It's not really feasible to switch it on and off a single body to interchange with normal film use.
Bottom line: the Mamiya 7 is easily the best 6x7 rangefinder available, and I think in many ways the best medium format system available. (I have an RZ system as well, and that is better for the few things the Mamiya 7 is not great at: long lenses, close-ups, portraits, fast lenses).
-Ed
Ed, the 7's meter is a spot meter, the 7 II's is a weighted average meter, VERY different.
I worry about the dark slide tab as it does seem breakable, BUT I found the 7's to be hard to turn which I'm sure is why they made the 7 II's with a flip out.
No, both meters are the same. Check the mamiya documentation and post it here if you can prove otherwise. They didn't change the meter. They are both averaging meters, but the area of averaging is fairly small, and varies in it's relationship to what the lens sees. However they are the same between both cameras.
I find the tab easy enough to turn, and no risk of breakage as there is with the II. If I had kept the II, I'd have gotten the brass replacement tab from the guy in Italy that makes them.
-Ed
Ok so here's where I've got with this.
I went through the motions with a Mamiya 7ii but kept being beaten on price via ebay by sniping software, in the end this appears to be a good thing. I've now got my sights of a Technorama 6x12.
I went to an exhibition in London and saw Luc Delahaye's '132nd' which appears shot in 6x12 medium format. The damn print is 18ft wide. That's where I want to be.
So whilst I'm waiting for one to drop into my lap I've purchased a H1 body and a couple of extra film backs.
Those Technorama's look elegant, wondered about the Horseman 612 but it doesn't appeal for some reason.
There's no sniping "software" it's just people who sit on and wait till the last second
What's your price point?
There's no sniping "software" it's just people who sit on and wait till the last second
I use sniping software for every auction I'm interested in.
Set the price you are willing to pay and tell it to place your bid 5 seconds or so before the end of the auction.
Then ignore the auction until you get your emails at the end.
I just use the eBay app on my phone to tell me 1 minute before it ends, I open the app, wait till there's 7 seconds left and bid hehe (just in case it's bad signal sometimes 5 seconds is too short hehe)
really there's software? was it free? hmmm... hehe
Lots of competing tools. The one I use uses their computer to place my bids, and I pay a fee for each successful bid (the fee is on a sliding scale).
Google "esnipe" to see what I am talking about.
I got my 7II for $800 which is a good price for it. What's your price point?
There's no sniping "software" it's just people who sit on and wait till the last second
I'm sure I'm late to the original point of the thread, but I'm a big Mamiya 7 fan and user of one. My "real" work this past semester was almost entirely shot with my 7. I started out with the 65, but I shifted to the 80 in August. I haven't looked back since, and the 65 is eventually going to be sold. They're both great lenses, particularly the 80 (which is outrageously sharp).
I got lucky with the original purchase price of my 7, which was $550. The guy I bought it from threw in a lot of film with it, which ended up being an added value of something like $200 (because it was mostly 220 film). The 65 came from KEH, as did the 80. I got the latter for $600 in BGN condition, which I thought was great, until a few days later when a LN- went on sale for $615. Oh well-- my 80 looked new to me and has worked flawlessly.
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