Why change if you are happy with what you are using? The Kodak chemistry is manufactured by Champion, who are stable and long term The Kodak film is manufactured by the same people who are manufacturing the Kodak motion picture film - that contract remains lucrative and is guaranteed until at least 2015.
After looking xtol over a bit, it seems like Ilford's ID-11.
Also, the "clone" isn't a clone it's just repackaged / relabeled xtol so that solution won't work, when Kodak stops producing developer, the clove won't be available either...
~Stone
Mamiya: 7 II, RZ67 Pro II / Canon: 1V, AE-1, 5DmkII / Kodak: No 1 Pocket Autographic, No 1A Pocket Autographic | Sent w/ iPhone using Tapatalk
I don't know that there is a close equivalent to XTol in the Ilford range.
HP 5 IMO is really nice once I get to MF or bigger, it is one of my staples in 4x5. For 35mm I'm not so sold. Bit grainier than I prefer. If you go with HP5 in 135, a dose of perceptol might be good but that slows it down a ways.
So to keep things simple for fast film I use Delta 400 in DD-X on both MF and in 135. Shoot this at 500 normally but works fine from 200-2000 for what I do.
The other combo I like real well is FP4 in DD-X. I shoot this at 125 normally, works fine for me from 25-250.
ID-11 is essentially D76 - significantly different from X-Tol.
And as Kodak no longer manufactures XTol themselves (Champion does it for them) there is no reason to expect XTol to disappear.
After looking xtol over a bit, it seems like Ilford's ID-11.
Also, the "clone" isn't a clone it's just repackaged / relabeled xtol so that solution won't work, when Kodak stops producing developer, the clove won't be available either...
What causes you to believe that this is relabelled XTOL? Please cite a reference if available. It surprises me that Kodak would permit such a thing in their contract with Champion.
Assuming this really is relabelled XTOL, then as MattKing pointed out, even if Kodak shuts down, there would be no reason for Champion to stop supplying this developer to Freestyle (unless sales-volume would be too low to bother with).
Mark Overton
Ilford makes Ilfostop stop bath, although AFAIK nothing but the film and developer is really critical to the final result.
Honesty can't cite a reference, but I remember reading a list of products that Were Arista labeled that were really Kodak, I could have sworn that was listed as well as tri-x being part of am the Arista line of film.
I have no recollection as to where I read that, it was a while ago and I don't use it so I can't compare personally.
Sorry to upset the balance here.
~Stone
Mamiya: 7 II, RZ67 Pro II / Canon: 1V, AE-1, 5DmkII / Kodak: No 1 Pocket Autographic, No 1A Pocket Autographic | Sent w/ iPhone using Tapatalk
Mark,
Why do you use DD-X with FP4 when Ilfsol 3 is the branded match? It's not.a Tgrain developer so just curious why you like DD-X over Ilfsol 3?
~Stone
Mamiya: 7 II, RZ67 Pro II / Canon: 1V, AE-1, 5DmkII / Kodak: No 1 Pocket Autographic, No 1A Pocket Autographic | Sent w/ iPhone using Tapatalk
Stone - actually ID-11 (D-76) is still the best overall "match" for FP4 (and virtually any other film!).
Stone - actually ID-11 (D-76) is still the best overall "match" for FP4 (and virtually any other film!). DDX is recommended by Ilford for best overall image quality with FP4 in a liquid developer (as opposed to a powder mix). DDX is not just for Delta films. And it gives a little more film speed in general than ID-11. Beyond that it's just up to each photographer to work with the combo and decide if he is happy with the tonality, and the balance of sharpness, graininess and speed.
Honesty can't cite a reference, but I remember reading a list of products that Were Arista labeled that were really Kodak, I could have sworn that was listed as well as tri-x being part of am the Arista line of film.
I have no recollection as to where I read that, it was a while ago and I don't use it so I can't compare personally.
Sorry to upset the balance here.
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