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Ilford Pan-F+

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Luseboy

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Hey,
So i just did a $200.00 order from adorama of mainly film, most of which being PanF+, iso 50. I haven't used this film before, but i liked the results i got from fp4+, and i like the idea of such a tight grain. Well long story short, i'm wondering who uses it? do you like it? I've heard many good things about it. What developer works best with it? I've got D19, D76, and Microphen in my darkroom that i can use, plus i'm getting a bunch of chemicals tomorrow. what should i use? any tips for exposure/development/etc?
Thanks!
-Austin
 

JonPorter

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I've used it a bit with my Pentax 645n, which only synchs up to 1/60, when I plan to use fill flash. I rate it at ASA 32 and develop in HC-110 diluted 1:79. It's a good film but I like FP4+ better.
 

Keith Tapscott.

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Hey,
So i just did a $200.00 order from adorama of mainly film, most of which being PanF+, iso 50. I haven't used this film before, but i liked the results i got from fp4+, and i like the idea of such a tight grain. Well long story short, i'm wondering who uses it? do you like it? I've heard many good things about it. What developer works best with it? I've got D19, D76, and Microphen in my darkroom that i can use, plus i'm getting a bunch of chemicals tomorrow. what should i use? any tips for exposure/development/etc?
Thanks!
-Austin
It's a very good film and gives excellent results in D-76 diluted 1+1.
 

Rick A

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Great film, can be a little contrasty. D-76 1+1 and reduced agitation is how I develope.
 

hpulley

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I love it! So sharp, grainless 35mm enlargements to 11x14". So far I've always developed it in DD-X but will be trying it in Microphen in future.
 

Gerald C Koch

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Pan F+ can be contrasty to tame this try D-23 1+1.
 

pgomena

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As others have said, it's contrasty stuff and takes a bit of practice to "tame" it. I often use it in situations where I need a "plus" development to boost contrast. I process it in Pyrocat-HD in a reduced agitation scheme and I'm closing in on the right time for my needs. Not quite there yet.

Peter Gomena
 

Klainmeister

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D76 1+1 is a great developed for it. I eventually tried it with PMK and got excellent results as well, but it took forever to find a proper combo because the contrast was so high.
 

c6h6o3

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I've developed Pan F+ in slow working, gentle developers such as 777 and I've developed it in ABC pyro, which produced negatives that could probably be used in welder's goggles. I've made wonderful prints from all of these rolls. It's just great film.
 

marcmarc

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Slow, fine grain films like these work best (imo) in high definition developers. I use Pan F+ rated 25 in Rodinal 1+100. Some people like stand development at this or higher dilutions, but I use standard agitation. It's a great combo, try it, you'll like it :smile:
 

Colin Corneau

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Beautiful (small) grain, great enlargements, nice tones. I guess it's a bit constrastier but that suits my style, anyway.

Developer choice will make a big difference and that also is personal choice -- I get great results from Rodinal 1:50.
 
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Luseboy

Luseboy

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Wow, thanks for all the replies! that was quick! I guess i'll see what developers i get tonight, then go from there on what i decide to figure out how to process. I may be PM'ing some of you about what times you've found to suit you best :smile:. Thanks again! anyone have any sample images?
 

JonPorter

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You won't be able to see much in a compressed digital file, but this Pan F+ neg prints very nicely, with good black-on-black detail.
 

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bwrules

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To get softer contrast (in case you are getting hot contrast from this film) just simply develop one minute less than the recommended time.
 

pinhole_dreamer

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I shot a roll of that in my Brownie Box and LOVED the results.
 

craigclu

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As others have said, it's contrasty stuff and takes a bit of practice to "tame" it. I often use it in situations where I need a "plus" development to boost contrast. I process it in Pyrocat-HD in a reduced agitation scheme and I'm closing in on the right time for my needs. Not quite there yet.

Peter Gomena

Peter, could I ask what is getting close for you? I have a freezer load of 35mm and 120 that I've not tackled yet. PyroCat is my go-to soup for most things and is likely where I'd start some tuning on this film. I was thinking that it would control the high end by the nature of PyroCat and was thinking of shooting at 25, 1:1:100 for 8-9 minutes, maybe with somewhat limited agitation?
 

fschifano

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It's ok. I have a lot of it in bulk 35 mm long rolls, and I like it when I have enough light to use it. Needless to say, that isn't very often; so I can't say that it's my "go to " film for anything. But when I do use it, the results I get are really nice; and quite unlike anything else available on the market today. Try it at box speed (or maybe 1/3 to 1/2 stop over exposed) in D-76 1+3 and start with Ilford's recommended development time. Yes, you might get a little more grain in highly diluted D-76, but so what? You won't see it in the print since the stuff i so fine grained anyway. If you aren't spot on the first time, then think about making adjustments to your development time while continuing to bracket exposures. I think you'll be pleased.
 

2F/2F

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I love it. It can really dump the shadows, so if you don't want that, overexpose and underdevelop it. When I used it with the Zone System, I rated it at 16 or 20, depending on what camera. (One of my cameras had a shutter that ran slow, so I rated it at 20 in that camera).
 
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