Hi,
I recently went a group of people on a photo city trip to Rotterdam, The Netherlands.
I used my Zenza Bronica SQ 6*6, and shot FP4+ (120) at 100 ASA. I processed it in Xtol 1:1, (for this roll 150:150 ml) in my older Jobo CPE2, rotation speed 2 at 22degC for 7 minutes.
The negatives were slightly dense, but printed without to much trouble (condensor enlarger) on Ilford MGIV RC, filter 2 1/2.
Much to my surprise I noticed a phenomena which I assume to be bromide drag under these conditions (it is in the same direction of the rotation of the Jobo).
See the attachments please: first the whole print, and perhaps hard to see, there are 2 "stripes"in the sky, lighter, emerging from the chimney. Probably hard to see (it is not very obvious anyway, at least at first..), I include an enlargement of the offending area, photoshopped to enhance my point.
I am really puzzled by this: I never saw this before with FP4+ (although I mostly do portraits with this film,against a black backdrop). I do more HP5 in a Jobo, and never saw it.
What surprises me that, if I do understand bromide drag correctly that the white rim of the chimney is exhausting the developer so much that the sky '"above"" it is retarded in development. But than the sky above it should be darker due to less devlopment. But what about the vast area of black of the chimney it self, (let alone the white vertical reflection stripe, it is darker above).
Or is it the other way around, and the relative undeveloped area of the chimney is "releasing" extra developper to the sky bands?..Or..
I always thought that development in a Jobo is pretty intense.
Any insight or other suggestions on this?
thanks and best,
Cor