wskmosaic
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I go by the Howard Bond data for HP5+, it has worked well for me so far.
For FP4+ I have been using the Kodak reciprocity chart for general black and white film (Not the TGRAIN CHART) and it has been working great.
Don't forget to decrease development as well!
And Shawn:
I'll take a look at those Kodak figures, but I'm curious to know why you've never given the Bond figures a run with FP-4+. If you ever do, I'd love to hear about it. I think Bond might, too.
tnx
Warren
Quick further question, Shawn:
At what ASA do you shoot FP-4+ and what is your normal developer and development time?
tnx
Warren
As far as I know Bond did not work with FP4+ or I certainly would.... If I'm missing it somewhere please point it out!
I'VE SEEN SEVERAL SETS OF DATA FOR FP-4 PLUS, AFTER MUCH SCROUNGING, SURFING AND ASKING. ONE IS AT
http://www.film-and-darkroom-user.org.uk/forum/showthread.php?t=2678&highlight=McLean+reciprocity , THOUGH YOU MIGHT HAVE TO LOG IN TO THE FDU FORUM TO SEE IT. IN A PINCH, AT THAT FORUM, SEARCH 'McLEAN RECIPROCITY TO COME UP WITH IT.
THE OTHER IS ASCRIBED TO JOHN SEXTON AND LOOKS LIKE THIS (METERED/ADJUSTED):
2/3
4/7
8/19
12/33
16/50
24/93
32/145
45/250
60/378
90/853
120/1670
THEY BOTH APPEAR TO BE MORE GRADUAL THAN THE KODAK DATA AND CONSEQUENTLY APPEAR NOT TO REQUIRE SO MUCH (IF ANY EXCEPT AT THE LONGEST EXPOSURES) REDUCED DEVELOPMENT.
AT LEAST THAT SEEMS TO BE THE CONSENSUS; I'M ABOUT TO LAUNCH MYSELF INTO THEM.
I rate FP4+ @ ISO 64. However, I tend to error on the side of more exposure. I am developing FP4+ in Pyrocat HD at 1:.5:100 (note that B is POINT FIVE ((.5)). 8 Minutes for N. I develop 4x5 in small tubes gently rolling them in water. And I stress the importance of using N- development in various degrees for reciprocity corrected exposures.
Edit. HERE is a link to the Kodak graph I have been using for FP4+, it is on page 3.
Does anyone know if reciprocity failure correction computed for Ilford HP 5 Plus will apply to Ilford FP-4 Plus?
Ilford's data sheet on these films, which declares correction factors for all its films to be equivalent, was never meant to be a precise guide, and is very old.
In addition, does anybody know, for either of these films, what the reduction in developing time for each range of exposure increases to compensate for reciprocity failure?
tnx
Warren
Sorry Rick but I can't buy that curve. Ilford has used that reciprocity curve for nearly every one of their films for many years, and I just can't believe that to be the case. But then Kodak also provided info for b/w films in general as well (seems Acros and T-grain films would almost certainly not conform to that).
Sorry Rick but I can't buy that curve. Ilford has used that reciprocity curve for nearly every one of their films for many years, and I just can't believe that to be the case. But then Kodak also provided info for b/w films in general as well (seems Acros and T-grain films would almost certainly not conform to that).
There is no way to produce an accurate Reciprocity table because the variables in light type, intensity, spectral composition, scene contrast etc are just too wide. It makes a difference if it's Daylight or Artifical light particularly Tungsten where a film has a lower EI anyway.
It's far better to do your own personal tests in the lighting conditions you intend to work with. Failing that the Ilford chart will get you close it probably has a degree of safety factor built in.
Ian
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