Ilford Delta 3200 in DDX or Xtol

Hydrangeas from the garden

A
Hydrangeas from the garden

  • 2
  • 2
  • 75
Field #6

D
Field #6

  • 7
  • 1
  • 81
Hosta

A
Hosta

  • 16
  • 10
  • 167
Water Orchids

A
Water Orchids

  • 5
  • 1
  • 94

Recent Classifieds

Forum statistics

Threads
197,927
Messages
2,766,980
Members
99,506
Latest member
advika2127
Recent bookmarks
0

mexipike

Member
Joined
Feb 12, 2007
Messages
377
Location
Los Angeles, CA
Format
Med. Format RF
I've been going through some different films lately and feel for the often very dark bar scenes I run into trix pushed to 1250 isn't giving me the look I want. I just developed a roll of delta 3200 I shot a while back and was reminded how much this film can do. I also really could use the push all the way to 3200 sometimes.

X-Tol is my standard developer and I got pretty good results but I read everywhere that DDX is great for delta 3200, and with the other deltas as well(I may just use delta 400 as my slower film at 200-400iso or delta 100). Is there any real advantage to DDX over Xtol for this purpose?
 
Last edited by a moderator:

Nuff

Member
Joined
Feb 16, 2013
Messages
581
Location
Tokyo, Japan
Format
Multi Format
I run xtol replenished. So my times are different than recommended. Since delta3200 is pretty exy here and I didn't feel like burning through few rolls to figure out the dev times. I got ddx. It's not cheap, but it was quick and easy. The results were great too. I shot at 1600 and developed at 3200. If I shoot at 3200 I will dev at 6400.

I don't see why xtol wouldn't work either.
 

Roger Cole

Subscriber
Joined
Jan 20, 2011
Messages
6,069
Location
Atlanta GA
Format
Multi Format
I develop it in T-Max developer which is said to be similar to DD-X. I also get excellent results by developing for one stop more than the EI I exposed for. Typically I expose it at EI 3200 and develop for the times Ilford lists for 6400. Results are excellent.
 

darkosaric

Member
Joined
Apr 15, 2008
Messages
4,568
Location
Hamburg, DE
Format
Multi Format
I develop it in T-Max developer which is said to be similar to DD-X.

Yes, I have couple of delta 3200 negatives developed in Tmax developer - it goes on 30x40 cm paper without any problems.

This example is negative scan 3200 in Tmax developer:

Dead Link Removed
 
OP
OP

mexipike

Member
Joined
Feb 12, 2007
Messages
377
Location
Los Angeles, CA
Format
Med. Format RF
So far it's been confirmed that DDX is good stuff, but is there any advantage to it over Xtol, I mainly care because it costs twice as much.

As far as TMax is concerned, it seems to be out of production so DDX it is.
 
Joined
Jan 21, 2003
Messages
15,708
Location
Switzerland
Format
Multi Format
I've been going through some different films lately and feel for the often very dark bar scenes I run into trix pushed to 1250 isn't giving me the look I want. I just developed a roll of delta 3200 I shot a while back and was reminded how much this film can do. I also really could use the push all the way to 3200 sometimes.

X-Tol is my standard developer and I got pretty good results but I read everywhere that DDX is great for delta 3200, and with the other deltas as well(I may just use delta 400 as my slower film at 200-400iso or delta 100). Is there any real advantage to DDX over Xtol for this purpose?

Xtol will have finer grain, be slightly sharper, and more muted highlights. That's it. Both are excellent for use with this film. I recommend Xtol 1+1 and DD-X at 1+9 (or whatever Ilford recommends). If you shoot the film at 1600, use their times for 3200 for best results. Shoot at 3200, use their times for 6400, etc. Adjust as necessary for your personal work flow.
 
OP
OP

mexipike

Member
Joined
Feb 12, 2007
Messages
377
Location
Los Angeles, CA
Format
Med. Format RF
So it sounds like X-tol is still the better choice except for the muted highlights, but not much reason to switch to DDX since it's pricey and I already am used to many films in Xtol.

Just of note for anyone who uses the massive dev chart, it looks like there times are already adjusted to match the one stop suggested increase from ilford's list (which makes sense since it's crowd sourced)

Also Ilford doesn't seem to list a 1:1 version of Xtol but I'm sure it's possible.
 

Roger Cole

Subscriber
Joined
Jan 20, 2011
Messages
6,069
Location
Atlanta GA
Format
Multi Format
So far it's been confirmed that DDX is good stuff, but is there any advantage to it over Xtol, I mainly care because it costs twice as much.

As far as TMax is concerned, it seems to be out of production so DDX it is.

Where did you hear that T-Max was out of production? Freestyle has it, though it's listed as low stock, but it's not shown on their clearance page. I also use the RS version which is nearly interchangeable anyway and certainly isn't out of production.
 
OP
OP

mexipike

Member
Joined
Feb 12, 2007
Messages
377
Location
Los Angeles, CA
Format
Med. Format RF
Where did you hear that T-Max was out of production? Freestyle has it, though it's listed as low stock, but it's not shown on their clearance page. I also use the RS version which is nearly interchangeable anyway and certainly isn't out of production.

http://www.bhphotovideo.com/c/product/29114-REG/Kodak_1402767_T_Max_Developer_Liquid_for.html

Though they do have the RS but I wasn't sure if it was the same or not. Maybe Tmax replenished would be a great developer for me.
 

Roger Cole

Subscriber
Joined
Jan 20, 2011
Messages
6,069
Location
Atlanta GA
Format
Multi Format
It's not the same, but it's close. I use it for T-Max films anyway and really only used the regular T-Max for pushing, and because I still had some. I will happily just start using RS for both when I run out of the regular T-Max.

You don't have to, and most people don't, use the RS replenished. I (and most people I think) just dump the small bottle of Part B into the larger bottle and mix, then dilute from there for one shot use just as I would regular T-Max. Kodak's recommended 1+4 is a little hot, for both versions. Many people seem to use 1+6 or 1+9. I settled on 1+5. I don't like the midtone tonality at 1+9, and my biggest reason for using 1+5 instead of 1+6 is that it seems to work well for me using the Kodak recommended times for 1+4. I could probably add a little time and I doubt I could tell 1+6 from 1+5.
 

Roger Cole

Subscriber
Joined
Jan 20, 2011
Messages
6,069
Location
Atlanta GA
Format
Multi Format
Yeah, I saw that too, see above where I said Freestyle had it.

A panic ensued when B&H listed HC-110 as "discontinued by manufacturer" but it was just the size that was discontinued. They make it in standardized sizes now for different markets. T-Max is already metric standardized, but it could be just a new catalog number for a new bottle or something - B&H is known for that - or not. But RS I feel is superior for most uses anyway. I'm happy to just use it. And if it goes away it sounds like DD-X is a great replacement.
 

MattKing

Moderator
Moderator
Joined
Apr 24, 2005
Messages
52,248
Location
Delta, BC Canada
Format
Medium Format
Manufacture of all the Kodak chemistry appears to have been moved from the former North American factories, so it may be that the T-Max developer will show up in new packaging, and possibly a new size, manufactured in Germany (just like HC-110).

Or maybe they have decided to just offer the T-Max RS.
 

pentaxuser

Member
Joined
May 9, 2005
Messages
19,701
Location
Daventry, No
Format
35mm
OP, if you believe that you will need to do the kind of shooting that you describe on a frequent basis then I'd develop half the film in Xtol and half in DDX or even a third in Xtol, a third in DDX and a third in T-max developer to see which delivers the best negs.

If Xtol meets your requirements then you will find it to be cheaper than DDX and I suspect T-max developer but I am only sure about DDX being more expensive than Xtol. On the other hand if it doesn't compare to DDX or T-max developer then Xtol is an expensive developer even if Kodak were to give it away for free.

pentaxuser
 

john_s

Subscriber
Joined
Nov 19, 2002
Messages
2,127
Location
Melbourne, A
Format
Medium Format
A few years ago, over at photo.net, an employee of Ilford (i think his name was David Carper) said that although DDX was the best for Delta 3200, Xtol was "pretty good" or words to that effect.
 
Joined
Nov 2, 2005
Messages
2,034
Location
Cheshire UK
Format
Medium Format
Dear John,

I do not know a 'David Carper' at ILFORD Photo but whoever he is Xtol is a fine dev, most others are as well, as always its horses for courses and peoples preferences for devs are very personal ..my absolute favourite Developer is DDX. I shoot loads of DELTA Professional 3200 as I like grain...and it has got grain.

Simon ILFORD Photo / HARMAN technology Limited
 

rubyfalls

Member
Joined
Aug 5, 2013
Messages
169
Location
USA
Format
Medium Format
I've used ID-11 for delta 3200. Given a choice, however, I'd stick with DD-X for faster films and Perceptol or Microphen for slower. I really wanted to like Ilfosol 3, but wasn't thrilled with the results.
 

NB23

Member
Joined
Jul 26, 2009
Messages
4,307
Format
35mm
Ilfosol-3 is excellent! But good only for slower films, as stated in the literature.
Xtol for delta3200 is amazing if you're after low grain.
It makes smaller grain on delta 3200 then hp5 @800 in hc110!!

I personally prefer grain so i dont hesitate to use hc110 or tmax dev for delta3200 as well as for tmax3200
 

rubyfalls

Member
Joined
Aug 5, 2013
Messages
169
Location
USA
Format
Medium Format
Which films do you like for Ilfosol 3? I used it for tri-x and FP4 plus and was kinda meh about it. Ilford describes it as being for slow and medium films; maybe I would like it more for slow?

I know it is odd, but I'm not partial to grain. Not for my shots, anyway. Love it in other people's stuff. So I am generally looking to reduce grain. I haven't used Xtol (yet), will have to give it a shot.
 

NB23

Member
Joined
Jul 26, 2009
Messages
4,307
Format
35mm
Which films do you like for Ilfosol 3? I used it for tri-x and FP4 plus and was kinda meh about it. Ilford describes it as being for slow and medium films; maybe I would like it more for slow?

I know it is odd, but I'm not partial to grain. Not for my shots, anyway. Love it in other people's stuff. So I am generally looking to reduce grain. I haven't used Xtol (yet), will have to give it a shot.


Pan-F and FP-4 plus are great in it. I chose to develop 40 of those films I shot in Cuba last year and my 150 20x24 prints look great.
HP-5 plus in Ilfosol also looks very good. The grain is sharp. However, I much prefer HP-5 in Rodinal and HC110. Something to do with tonality, probably. Just very pleasing to my eye.

XTOL is all it's hyped up to be. My Delta 3200 negs shot outstanding shadow detail and the grain is fine. It's missing some bite, though. I tend to like my prints with some bite. Grade #3-3 1/2 is my preference.
 
OP
OP

mexipike

Member
Joined
Feb 12, 2007
Messages
377
Location
Los Angeles, CA
Format
Med. Format RF
So it sounds like some people like Xtol just fine but some feel DD-X just does a better job with delta 3200. I also went through some old scans I had and found a good few of my favorites were shot on Delta 400. Since DDX seems to be designed to work with this film and Delta 3200 it may just be the developer for me. I'll order a bottle and do some tests and see. I could keep Delta 400 and 3200 stocked and cover slowish (400 pulled to 100) to quite fastest very comfortably.

I knew all along that I should just test it but I started this thread to make sure it was worth trying in the first place, if a bunch of people said don't bother Xtol is better for sure or positively just as good, I would have saved myself $20. Thanks for helping and I'll let you know how my tests go.
 
OP
OP

mexipike

Member
Joined
Feb 12, 2007
Messages
377
Location
Los Angeles, CA
Format
Med. Format RF
I still haven't tried the 3200 in DDX yet, but I just developed a roll of Delta 400 in DDX rated at 500 (ilford's recommended) and am quite happy with the results. They just kind of pop, crisp, sharp and not crazy grainy. We'll see how the prints and scans look.
 

StoneNYC

Member
Joined
Aug 5, 2012
Messages
8,345
Location
Antarctica
Format
8x10 Format
I still haven't tried the 3200 in DDX yet, but I just developed a roll of Delta 400 in DDX rated at 500 (ilford's recommended) and am quite happy with the results. They just kind of pop, crisp, sharp and not crazy grainy. We'll see how the prints and scans look.

FWIW

Ilfsol 3 is a really nice Dev, I would use it a lot more if Rodinal or HC-110 weren't so cheap. It is similar to HC-110 in it's ability to develop aged film with low fog (something no one ever gives it credit for but is valuable to know) I once developed film expired in 1947 in Ilfsol 3 with excellent results and low fog. It's just a little but sharper than HC-110 but the sharpness shows slightly more grain.

DD-X is excellent! If it were cheaper and came in a higher dilution like Rodinal at a 1:50 dilution, I would exclusively use DD-X for almost everything...

That and I dislike powder developers, especially the whole mixing gallons of the stuff part... Lol so I hope you get hooked on DD-X :smile:

D3200 and DD-X are excellent together.

These are my personal observations and opinions.
 
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links.
To read our full affiliate disclosure statement please click Here.

PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Ilford ADOX Freestyle Photographic Stearman Press Weldon Color Lab Blue Moon Camera & Machine
Top Bottom