I'd process a test roll, exposed under similar conditions, first.
To be nit-picky, only a manufacturer can determine ISO, because the developer is to be established by the manufacturer; there is no ISO standard developer.
So the film has no ISO rating. As per the instructions with the film, you can use an exposure index suitable to your subject matter.
Best of luck to you! These "super fast" films are tricky and sometimes yield odd results.Ok. Heading into the darkroom. DDX with manufacturer's recommendation for 3200. Sounds about right to me. Thanks! all.
Neither Delta 3200 of Ilford, nor Tmax 3200 of Kodak are actually ISO3200. One is ISO850-ish, while other is ISO1000-ish. Although I don't recall which is which. What I usually do with Delta 3200 is to expose it at 1600 and develop it with the times intended for ISO3200. Results look good. Although I do it with D-76 (ID-11) and Xtol. IIRC manufacturer recommends to develop this film either with DD-X, or with Microphen and ideally I that is what I would use. If I had any.
It's noteworthy that there is only 1/3 stop between 2500 and 3200. Overdeveloping a normal film shot at box speed by 1/3 wouldn't give dramatic change in the negative. I say develop at 3200.
Certainly my experience with DDX but admittedly only as high as 1600 is that this film can stand even more development that using the next speed up and you used 2500, I think. So on the basis of the next speed up this is development for 5000 rather than 3200. This certainly indicates more development that the usual time for 3200 if using the next speed up formulaThe outcome is the neg is a bit thin, but I think printable. I'll take a look tomorrow. I think as many suggested longer development is the way to go. In the end, I developed for 9:30 with ddx. I could have gone a bit longer.
Unlike most films, Delta 3200 has a strongly concave characteristic curve, i.e. contrast flattens noticeably at higher densities. This means, that you can develop much longer and still avoid runaway highlights, while lower densities slowly pick up speed.Thanks for all the advice! The outcome is the neg is a bit thin, but I think printable. I'll take a look tomorrow. I think as many suggested longer development is the way to go. In the end, I developed for 9:30 with ddx. I could have gone a bit longer. I have another roll of it so I believe I'll give it another go ... (different subject as this roll was a one time deal.)
my favorite was John Hicks' Xtol times--at 1:2 for EI3200:
https://unblinkingeye.com/Articles/Times/D3200/d3200.html
They were thin, but that's more what I was photographing.
Unlike most films, Delta 3200 has a strongly concave characteristic curve, i.e. contrast flattens noticeably at higher densities. This means, that you can develop much longer and still avoid runaway highlights, while lower densities slowly pick up speed.
I appreciate I am reacting to a somewhat old/expired debate; I have come across some of your previous queries re Delta 3200; I wondered if you had any luck reverse processing delta 3200. I followed Ilford guidelines and rec chemistry and exposed at 400 according to dr5 and had very interesting results, mostly keepers. my main goal however is working with this film at 3200 and attempt to reverse push process. Any ideas?
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