In the early 90's I was invited to a forum presented by Graham Nash and associates in New York showing off the first round of Iris Prints that I had seen. Sitting beside me was Whilhelm, at the time I thought it was pretty cool.
As the others went to lunch I remained in the room and spent the whole time really looking at these prints up close with no one to influence my opinion.
I concluded two things.
One was that they were absolute shit, Two within 10 years the inkjet rolling ball would completely take over the photographic market place and I was in trouble printing hand cibas and traditional fibre prints.
I imagine Whilhelm concluded
One that they were shit, Two that joining the rolling ball was going to make him a shit load of money.
The Swiss totally missed this rolling ball and I hope they come to this conclusion and help out us lone players.
I am as stubborn as I am ugly and will continue with the product as long as Elevator can see hope with it.
We just finished printing two weeks of cibachromes and put the chems to rest for another two months.
These last round of prints are spectacular and pisses me off because the easiest thing for Elevator is to forget about Ciba and move on to more practical and profitable materials , but my eyes don't lie and I know a good print when I see it.
I am sorry to bring a negative mood to this thread , but you cannot know how much personal, financial and legal grief this product has put me through.
O yea , I am a big hypocrate as I too joined the digital rolling ball in 2002, It was a matter of sink or swim , and I already said I'm ugly.
The learning curve is very large and hard for my advanced age, but I feel it is worth it. There are some very pleasant suprises with the new process which is worth discussing over on Hybrid.
I can't say I put much stock in what Whilhelm says. I have a 20+ year old Cibachrome hanging on my wall - it shows absolutely, no hint of fading.