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- Sep 16, 2006
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- 35mm
Just curious where you ordered your ID-11, if you’re in the US. I can’t find it anywhere. I emailed Ilford and they said it would be available again in March.
Try some of your developer out on a film leader to see what happens
The problem with that tactic is it doesn't tell you anything about how good the developer is at tonality. Pretty much any near-dead developer will turn a film leader black in a reasonable time.
I felt I had some reasonable success with such a test when I tried out the perfidious Xtol
Invest in your own set of basic developer chemicals plus anti-fog agents and mix your own D-76, or ID-11, etc.
@pentaxuser the approach you suggest isn't reliable for the reason @Don_ih says. This is especially true if you only perform a visual assay of the result - i.e. note whether the leader section turns black. This does not allow for any diffentiation between properly working and compromised developer; it'll only show if a developer is totally dead, or not. Even if you perform densitometry on the developed snippet, the problem with a fully exposed section of leader film is that you're so far on the film curve that you're in a section where the relationship between exposure and silver density is basically unpredictable. A typical silver halide film curve slopes off past its shoulder; this is a section of the curve that's virtually never included in the datasheet, so you'd end up measuring densities that are impossible to interpret.
In short, your method will only show whether a developer does *something*. It doesn't show if a developer performs (more or less) to specification.
For the experimental minds among us, this is an entirely viable and sensible suggestion. It's not hard to DIY B&W developers.
the second half of the test is to compare the leader with a retained leader from a film that was tested the same way in fresh Xtol.
Is there a valid test for old developers and if so can we as a forum agree on it or at least agree to what extent it may be valid and with what accompanying risks there are?
As suggested in my response, I'd be weary of relying even on this test since it's inconclusive given the anomalies one can expect at high densities and supposedly 'fully' exposed leaders - which in practice actually do exhibit visible variations in density depending on how long they've actually been "entirely" exposed. I learned this the hard way when setting up an experiment not too long ago.
Some straightforward sensitometry in a direct comparison with known-good developer would do. It's not very hard to set this up. Whether it's worth the hassle... I doubt it. I personally choose to just rely on freshly made chemistry since it's in my perception quicker and less prone to unanticipated variations.
@pentaxuser -- a reliable test would be to shoot 36 identical exposures at some point in time. Develop a couple of inches of those exposures in known good developer. Then you will have a point of comparison for testing developer. You just grab a couple of inches of your exposed film, develop it in the potentially bad developer, compare with your known good sample. Developing a couple of inches of film won't deplete the developer to any real degree, so it's not wasteful.
The issue with testing using a fully-exposed film leader, particularly in a developer with more than one developing agent, is it won't tell you if one of those developing agents is dead. A fully-exposed leader develops too quickly in even half-dead developer - way faster than the brightest normal highlight in normally exposed film will.
using a whole 36 frame film of identical pics as a fallback test
what developing agents can be dead
Nobody suggested this...There are plenty of ways to take a small section of film and perform a test with it.
There is no reason to expect that the developing agents in a developer will degrade at the same rate. Your example, Xtol, is a Phenidone/ascorbate developer. Two agents, either can die first. Something was starting to fail in your Xtol. You determined that by comparing two fully-exposed and developed pieces of film against a light bulb. One had slightly lower density. The point of what I've been saying throughout, though, is that such a test doesn't tell you what impact that loss of activity will have on the tonality of the developed film. There is a reason for the ratio of the developing agents in the fresh developer. If one agent is dying, that ratio is no longer the same.
However again each to his own. If I have had success on several occasions with a leader test which I have then maybe I was just lucky but I thought it worthwhile to mention this test when someone mentions old developer
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