- Joined
- Jul 14, 2011
- Messages
- 14,423
- Format
- 8x10 Format
Although most mini-labs are switching to high-volume digital snapshot printers, some machines are still in use which use traditional light exposure. It's all highly automated anyway. The most popular film for both types in this area is Fuji Supreme. But it's an entirely different ballgame than making big custom prints using an actual enlarger. Nowadays the time constraints on workflow dictate drum scanning the original and inkjet printing it to larger size, or else using a big laser printer on RA4 Fuji paper, and then processing it just like an enlarger-expose print. I only do true optical enlargments; but I'm not on the clock - I'm my own client, so can take as much time as I want to get the best result.
For big color prints I have always had a custom shop do the optical enlargements.
When I send my 35mm film to a lab for processing the end results is a digital image!
What’s wrong with this picture...?
You seem to be very serious on attaining the best …!
This just in…!
There nothin' better than real home cookin', the slow way. Going digital, any portion of the workflow, would be a backwards step for me, in terms of final print quality.
I agree with Ralph that if your endpoint is a relatively small digital print, might as well start with digital capture. But as you scale up in size, the typical digital camera just can't keep up with the scale. Even pro so-called MF digital only has lumen capture area less than 645 format.
But Siriusly, Mr. Glass, you never know about those too good to be true land deals. My Grandfather fell for one of those - bought 22 acres in So Cal as an alleged orange grove investment around 1910, without ever seeing the property in person. But absolutely nothing would grow on it - hardly even sagebrush. And when he was dying of TB a few years later, he couldn't afford to pay the modest property taxes on it any longer, and relinquished it to the State. Well, there's a reason nothing would grow on it. The soil was pickled with something. A few years later, around 1918, it got named Signal Hill - where the US Naval oil reserves are! And instead of us becoming the Beverly Hillbillies, we remained just plain hillbillies! - not exactly. But my parents did have to live in a car going between Federal dam projects in the 30's. At least it was steady work.
I said, "Gimme a beer."
The bartender growled, "Its 25 cents a beer and a nickel extra for a clean glass."
I said loudly, "Are you gonna gimme a beer or are we gonna fuckin' talk all day?" throwing a quarter down on the counter.
I downed that beer pretty damned quickly and got my ass out of there. I have been more careful since.
Does anyone understand the last sentence, “The image was later converted back to film”…?
They photographed the digital print, then used that film to produce the printing plates, lithograph? etched? ...
Film recorder.
Note also the reference to a Macintosh computer. That name was retired in 1999 and replaced with Mac. That also was around the time Nikon introduced the Coolscan, which was referenced in the quote. So the quote would appear to be from about 20 years ago. Maybe Nikon 2 can tell us where he found the quote and the name of the photographer.Btw, note that the photographer mentions 'pigments' in color film; I wouldn't take the technical side of their comments too seriously.
Note also the reference to a Macintosh computer. That name was retired in 1999 and replaced with Mac. That also was around the time Nikon introduced the Coolscan, which was referenced in the quote. So the quote would appear to be from about 20 years ago. Maybe Nikon 2 can tell us where he found the quote and the name of the photographer.
Yes, it’s an old quote...!
I like that thought. It would enable me to cull my non-existent collection of photography to include only AAA works.
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