Arguing that one style is or isn't Street Photography, while another is, kind of feels like arguing whether a Sci-Fi novel is more or less of a novel than a Romance novel while ignoring how radically different a typical sci-fi novel is from a typical romance...
I'm not sure what you're trying to get at it here ?
Street Photography is photos that give the taste and smell of the street, and the best photographers combine multiple approaches - candids, portraits, landscapes etc.
Fred Herzog
Alexander Street
Going out with friends and doing portraits in a street does not give the same thing as going out to photograph empty back alleyways when no one is around, and neither give the same result as taking candid shots of people's daily lives without them knowing, which also isn't the same as going up to strangers in the street and asking if they mind if you take their photo...
It is all 'street photography', but none of it is remotely similar on a wide range of levels.
Only one of the situations is consistent with what I think of as "Street Photography".
I dislike the term "street photography" preferring "candid photography. HCB called himself a street photographer, but I believe that was to distinguish himself from a landscape or studio photographer.
Page 34, John Leongard's Age of Silver on Henri- Cartier-Bresson: "When I first met him in 1956, he'd tell us tyros hanging out at Magnum Photos in New York City, "I must stay anonymous. I am a street photographer."I doubt he called himself like this. Earlier HCB wanted to call himself as surrealist, but was advised to use journalist. Later HCB called himself as humanist.
That was kind of my point. Different people embrace different breadths of definition of what is 'Street Photography', but the usefulness of the term begins to become diluted to the point of uselessness after it becomes overly broad.
For what it is worth I would include two of my above examples under what I think of as 'Street Photography' - Empty back alleyways can tell interesting stories of human lives based on what's left behind after the humans have left as much as when the humans are there going about their lives.
But both of those are wildly different in my mind from effectively posted portraits with a street in the background. Taking portraits where people are actively focused on the camera pointed at them becomes a wildly different concept, and projects a different view of the world.
That's an interesting point. Those two photographs are not much more than surveillance pictures...if your work can't be distinguished from an automatic timer, well -- you got issues.
I feel like a photograph needs to be "intimate" for it to qualify as street photography. Just being a candid taken in the street isn't enough...
For example, these two are not street photography to me because they lack intimacy...
San Francisco, California
Pleasanton, California
As has already been said, "Street Photography" is a huge label.I guess it depends upon one's goal.
Although, look back at Books/Photos by Weegee, William Klein, Berenice Abbott, etc etc etc...... and they did shoot frames like that.
I agree. People know what street photography is when they see it. The word "street" is an approach, not a topographic boundary. A portrait in the street is an environmental portrait, not a street photograph.For example, these two are not street photography to me because they lack intimacy...
I tend to think of an environmental portrait as a portrait of an individual (or individuals) in their expected environment, such as a street vendor in the street, a shopkeeper in his/her shop. A patron a café, a passenger on a train, would not seem as much an environmental portrait to me.I agree. People know what street photography is when they see it. The word "street" is an approach, not a topographic boundary. A portrait in the street is an environmental portrait, not a street photograph.
HCB, Winogrand, Frank and the rest may have been Onanists, but they were certainly excellent street photographers."street" is a subset of "wanking".
HCB, Winogrand, Frank and the rest may have been Onanists, but they were certainly excellent street photographers.
If volume of shots was a reliable indicator of quality, digital photography would have heralded a new dawn of artistry. If anything the reverse is true, although digital has encouraged everyone to think they're a street photographer. It's truer to say that photographers have a peak period for which they are remembered, but rarely sustain that quality of output. For a truly astonishing hit rate look no further than Tony Ray-Jones, whose street photography lasted a few short years and who died at 30.Some of their photographs were "excellent" (as are some in Photrio Media...but they shot massive amounts of fillum to get there and were edited astoundingly aggressively. fwiw
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