Film : Awful :: Digital : Lazy
When somebody says film is "awful" or when I hear people reminisce about how they took a photography course in college where they had to D-E-V-E-L-O-P their F-I-L-M it says to me that they don't understand their craft and that they are either too lazy or too stupid to try to understand it.
I mean, when you have a camera that can take a photo, instantly show the results (much to the demise of Polaroid) and let the "Faux-Tographer" see what DoF they got without having to think about it? yeah... that's just laziness..
roger
people say+do dopy things on both sides of the street ...
(and you can read it here on apug or anywhere else )
THAT is what i am talking about .
Fine. But I'm specifically referring to your apparent criticism of darkroom workers discarding solutions down the drain. The vast majority of them are perfectly save to dispose of that way.
I never bother with film for a classifieds/eBay/etc shot because it just doesn't matter that much and archival issues are not a factor.
I suspect most people are the same.
That kinda thing or shots for email are the main thing I use my pocket digi for but one thing I love about it and use it for a LOT is EXIF data.
Each location that I shoot on film I take a roughly framed digi shot so weeks later when I'm cataloging that film I can look up the date and rough time of that location and session. So much easier than remembering a notebook every time....
On which thought, how many pix in the classified section were made with film and then scanned?
Some of them look like digipix to me - For that heresy I shall now. . .
Some toners (mainly selenium) yes. I don't dump my selenium. I let it evaporate in a pan that becomes plated with selenium. Eventually I'll turn it in to a hazmat reclamation center. At this rate that will take decades. Metol, HQ and "silver rich fixer" - poppycock, and quantity does indeed matter. "Silver rich fixer" is only any concern at all because it's rich with silver ion - metallic silver is not a problem. And in practice, silver ion is not toxic in typical quantities in the typical waste water treatment system because it doesn't stay ion very long. There's plenty of reactive material and it quickly becomes metallic silver. Now if you're dumping a few gallons directly into a trout stream, I'll agree that's dangerous and irresponsible. Dumping it down the drain with sewage, nah.
If anything, this is a misconception on the part of digital folks, that film is so polluting.
Probably none. Why would you do this? It's a lot of trouble where it doesn't really return you anything.
I, as I suspect most people here, do shoot some digital.
Horses for courses and all that.
Metol, HQ and "silver rich fixer" - poppycock, and quantity does indeed matter. "Silver rich fixer" is only any concern at all because it's rich with silver ion - metallic silver is not a problem. And in practice, silver ion is not toxic in typical quantities in the typical waste water treatment system because it doesn't stay ion very long.
It was a joke!!!!, as I typed already - I find literal reading of such a thought as silly as the proposition
But you don't see people who use acrylic bash people who use oils.
And the chemicals we all (well not all, but a lot) use to clean the toilet, use to color our hair, nail remover etcetera doesn't effect the inviroment?
Fine. But I'm specifically referring to your apparent criticism of darkroom workers discarding solutions down the drain. The vast majority of them are perfectly save to dispose of that way.
Film = 1 shot.... If it's not right, you don't get a do-over.
Do they really think that a little bit of chemical waste that a selective group of people (us APUG-ers) dispose in the sewer will distroy the world? And the chemicals we all (well not all, but a lot) use to clean the toilet, use to color our hair, nail remover etcetera doesn't effect the inviroment?
Many developers are closely related to chemicals used as drain cleaners.
Roger Cole is right. In moderate quantities (pounds, not tons) silver tetrathionate and similar compounds which characterise used fixer don't harm sewerage treatment systems. The silver very quickly gets converted to silver sulphide in the presence of the free sulphide ion. Silver sulphide is geologically stable and inert and has one of the lowest solubility products known in chemistry. The stability and inertness of silver sulphide is the key to the remarkable archival properties of sepia toned photographs.
Before my darkroom was approved by my local council I had to calculate the silver concentration in my total household effluent. I'm pretty busy and use a few thousand sheets of film and paper per year but the result came to about 5 parts per billion. By the time this mixes with the output of the other 20 000 households that don't process photographic materials the silver concentration is below any conceivable detection limit down at the sewerage treatment plant.
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