If you don't know what 8 x AA batteries does for the body of a miniature format film camera, nothing I say will change your mind.What is it so big a deal with 8AA? They are cheaper than 2 EPX76. When I have to replace them I burned a lot more money on film and processing.
Not as capable of measuring flash? I use flash on old folders, through matrix metered Nikons, to modern m*rrorl*ss cameras. It doesn't require a camera body the size of a small dog to balance flash and ambient light. Begging the question is treating a conclusion as a proposition. If people want an F5 (conclusion) they'll find a reason to buy one (proposition). It doesn't have to be a good reason. I'm talking about a reason to carry an F5 that isn't met by other cameras. The F5 was designed to fire frames quickly with a high focus and exposure hit rate. If someone still requires that, the Nikon F5 is their camera. Realistically such people moved over to D-cameras that gave even higher frame rates, better focus tracking and more sophisticated exposure, leaving film for other duties and different cameras.One of the big reasons I choose an F5 was for the matrix balanced fill flash capability. The F100 can do that too but the older cameras you list blockend, aren't near as capable.
Blah, blah, blah. Yeah I can balance flash on older cameras too, I can even use A mode with old cameras and get nice results, but it's more work and takes thought that I'd rather put toward composition and conversation with my subjects. The difference is that the F5 or F100 can do a lot of work for me, very reliably, and that's darn handy.Not as capable of measuring flash? I use flash on old folders, through matrix metered Nikons, to modern m*rrorl*ss cameras. It doesn't require a camera body the size of a small dog to balance flash and ambient light. Begging the question is treating a conclusion as a proposition. If people want an F5 (conclusion) they'll find a reason to buy one (proposition). It doesn't have to be a good reason. I'm talking about a reason to carry an F5 that isn't met by other cameras. The F5 was designed to fire frames quickly with a high focus and exposure hit rate. If someone still requires that, the Nikon F5 is their camera. Realistically such people moved over to D-cameras that gave even higher frame rates, better focus tracking and more sophisticated exposure, leaving film for other duties and different cameras.
Pardon me for introducing logic into a Gas driven threadBlah, blah, blah..
If you don't know what 8 x AA batteries does for the body of a miniature format film camera, nothing I say will change your mind.
Very well put.For me I have owned a F4 (several) F6 (current) and a D700 (sold last week). I have never even considered a F5, not because of the weight, but the sheer phyisical bulk with the battery pack permenantly attached. It is just too big (not heavy) to be carried for any distance. I have no doubt that it is a very capable camera, but it isn't one that I would put on my Christmas wish list. It isn't the number of frames per second it can fire, or the up to date flash capability, for me it has to be a fully usable all round tool. I have never used the F6 on motordrive or use flash more than infrequently. My syle of imagery doesn't require it.
Of the others, the D700 with a decent lens, say a 20/35AFD is also a big lump and isn't particularly well balanced. (plus it wasn't a film camera) My F6 with the same lens just suits me perfectly.
In the early 70's, Pentax had a an advertising slogan which ran:- 'Just hold a Pentax'! Well the advertising got it right and the same can be applied to the F6 - a well balanced tool with almost any lens.
I agree, people who came to film from full frame DSLRs will find the F5's size and functionality unremarkable. However 1990s SLRs, especially the professional models, were completely out of kilter with 35mm ethos of compactness, and many people thought so at the time. Compare current values of a Nikon F5 with an equivalent rangefinder to see how the 2016 market values each. That doesn't make the F5 a bad camera, but when cheerleading is in full flow witch burning is never far away.The F5 has a bad reputation for being heavy, but in my own humble opinion, if you're used to lugging around a DSLR, the F5 is about the same size and weight.
I agree, people who came to film from full frame DSLRs will find the F5's size and functionality unremarkable. However 1990s SLRs, especially the professional models, were completely out of kilter with 35mm ethos of compactness, and many people thought so at the time. Compare current values of a Nikon F5 with an equivalent rangefinder to see how the 2016 market values each. That doesn't make the F5 a bad camera, but when cheerleading is in full flow witch burning is never far away.
Few people today really require what the F5 offers over the alternatives, but that may not be their reason for buying one.
Makes a huge difference. You can instantly choose between focus modes simply by using your thumb !(If you don't program your more modern cameras to disable auto-focus on the shutter and move it exclusively to the AF-ON button, give it a try. For many it makes a huge difference in focus control.)
Well that's a slightly more polite contribution than your last, but still comes across as overbearing when I haven't been rude at any point and kept completely on topic. This is a public forum on the merits and disadvantages of cameras, and apart from your own angry responses has been conducted in the spirit of the discussion. Have you considered that you might be investing a 30 year old camera with too much emotion?No dead horse is safe in your neighborhood. I get it. You find certain characteristics of the F5 unsuitable for your use. Again in case you missed it don't buy one. There are those of us who enjoy ours and like to share that with others who agree. So why are you here?
Correct. The point stands. APUG gets more like DPreview with each passing day.30 year old? Which camera is that? The F5 is 20 year old.
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