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- Mar 30, 2015
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- 35mm
A Symmar-S is a Plasmat type and has 8 air-glass surfaces, six of them internal. Single coating (post WW2) made this design practical and it became an industry standard for normal-angle lf lenses. Muticoating came along in the mid 1970s as a detail refinement. Using an efficient and properly adjusted compendium lens shade will make far more difference than single vs. multi coating.
Again perpetuating the misnomerMultiple coatings i.e. more than one coating per surface go back - I think the Zeiss Patent was before WWII. The very carefully balanced refinements were called Super Multi Coating because most top end lenses were already coated with multiple layers much earlier, the step change in coatings is the mid 1950's.
Ian
And I am attempting to distinguish between the first magnesium fluoride single layer coatings which came into widespread use immediately after WW2 (after having been used widely on military optics during the war), and the advanced multilayer coatings termed "multicoating" which came into widespread use in the early-mid 1970s. Zeiss held patents prewar (so did General Electric in the US, [Blodgett and Langmuir]), but that does not necessarily mean that multilayer coatings of any sort were used on consumer items.
But that misses out a huge number of well coated lenses from the mid 1950's until Super Multi coating caused most manufacturers to either upgrade or start using the term. I have some US single coated lens and on UK (Kodak) and quite frankly it's poor coating compared to German lenses, my UK 203mm f7.7 Ektar is extremely well coated.
Now it's many of these well coated lenses that we see on the SH market today.
Ian
+1<obscenities deleted>
You folks are splitting very fine hairs.
Yes, that was my point.
I thought I had heard single coating lenses were better for black and white, while multicoated were better for colour. I have no idea why this might be and I'm only pulling this "fact" from way in the back of my memory recesses in the old brain so I could easily be mistaken here.
Achromats have been around for a very long time. I've used many old pre-coating lenses for color transparency - rapid rectilinear, Dagors, Protars, 2 element achromats (on color print) in box cameras etc with no trouble whatever.Before color film, uncoated lenses did not always focus all the colors at the same place. The advent of color film brought coatings and better designed lenses.
Before color film, uncoated lenses did not always focus all the colors at the same place. The advent of color film brought coatings and better designed lenses.
As Dan would say the proof is in the pudding, more literally in his sense "ask the lens" ie try it out.
I was rather sceptical about using coated l(as opposed to Multi coated) lenses for my LF work, but Dan kept suggesting try them. You'll note I don't use the term Single coating because that's a misnomer as many coated lenses have more than one coating and some where effectively Multi coated before the term became a marketing tool with the eiss/Pentax Super Multi Coated Takumars (the coating was Zeiss technology).
In practice non of my coated LF lenses flare, I use a mid 1950;s CZJ 150mm f4.5 T (coated) Tessar in conditions where the MC zoom lenses on my Canon are useless, same goes with my coated Angulon and Super Angulons. I am shooting B&W when I shot E6 with LF I did notice a difference between my coated 65mm Super Angulon and my MC Sironar and Grandagon. The CZJ Tessar is heavily coated with a slight blue bias I wouldn't use it for colour.
Ian
Before color film, uncoated lenses did not always focus all the colors at the same place. The advent of color film brought coatings and better designed lenses.
That's absurd. Achromatisation and coating have nothing to do with each other. You've bought Voigtlaender's marketing nonsense about their post-WW II line of lenses whose names had the prefix Color-. Coating didn't fix the pre-war versions' chromatic aberration, redesign did.
Coatings are not related specifically to colour photography. However they were were applied at consumer optics about the same time consumer colour photography evolved in Europe.
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