After using Tri-X 320 sheet film for decades, mostly for 4x5, I'm slowly shifting to FP4+. First of all, I can get it in whole-plate size, so both of my big cameras can use the same film. Second, I find that the slower emulsion makes little difference in my typical shooting situations. Third, echoing Thomas B's comments, it is very close in tonality to Tri-X.
I rate it at about 64 or 80 in Pyrocat HD, mostly because I like a lot of shadow detail. It works very well in expanded development, and I find that when using Pyrocat HD, my need to contract development more than N-1 is not necessary. (I can use divided development or semi-stand development to achieve my minus-development goals.)
I've not tried HP5+ in many years. My go-to fast film has been Tri-X 400 or T-Max 400, usually in 120 format. (I use MF when the weather is too lousy for LF, and those dark, windy, cloudy days call for more speed.) I do not care for Delta 400. Given Kodak's instability, I probably need to try some HP5+, which is available for all the formats I use.
If one film would work for all purposes, we'd have only one film. Shooting style and conditions, format, and *gasp* personal preferences call for a variety of films. It makes a little more work for us, the consumers, but at least we have a choice.
Peter Gomena