The second seems to have less edge definition, but it could be a difference in contrast too. That said the flesh tones look much nicer on the second image because they are smoother.
Based on your tests, the EverSmart looks like a winner to me. I had been considering a drum scanner, but this has given me something to think about.I think you are right. Flatbeds, even professional quality ones, need more recovery sharpening than drums scanners, and I made none at all in this case. It is possible to match the edge definition by applying a small amount of unsharp mask to the EverSmart scan (say amount = 50, radiius = .5 and threshold = 0) , and this also increases the grain size a bit. But in the end the two scanners appear to be delivering about the same resolution, which is somewhat surprising to me.
Sandy
Based on your tests, the EverSmart looks like a winner to me. I had been considering a drum scanner, but this has given me something to think about.
These are great comparisons, but I might prefer to see crops that don't include the printed poster as the colour bias, dot pattern and crispyness of the print may be misleading. I'd also rather see scans made from transparencies with the crop to include a wider tonal range especially shadows.
My reasons for wanting to see how the scanners perform when using a transparency is that it is a harder test with a bench mark that you can hold in your hand. Transparencies tend to show off the scanners ability to capture information at both ends of the curve as well as offer a guide to colour fidelity. I agree that they are or where an end product. The limited latitude of papers, the tight grain of the film and the ability to have good prints made from a lightjet/lambda etc makes them desirable to some.
I am surprised at how close the flatbed got. What settings were used for the Howtek (aperture and software)?
The one thing I see here, which I have noticed before is, the drum scanner is better able to pick out the dye clouds that make up a negative.
As far as shooting negatives or transparencies for scanning, slides are almost always better. Only when the scene contrast range is too large for the slide film will I prefer negatives. However I still shoot a lot of negative film because I like to print it in the darkroom. Sometimes I decide to scan a neg and I usually curse through the entire process.
I don't know the aperture that was used on the Howtek 6500, but it appears to have been too small. A friend made the same scan with a Howtek 4500 and the grain is much smoother, with very little if any loss of resolution.
Back in the days I used to use a lot of transparency film, but see no point in doing so if the final product is a print on paper. Color negative film is sharper and has a lot more dynamic range. These days I only make color prints from scans. In fact, I never enjoyed printing color in the darkroom, except for tri-color carbon and carbro which has its own challenges.
Sandy
Sandy,
I agree about dynamic range, but the last i actually compared the 2 ISO 100 slide film had tighter/finer grain then any neg film
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